the Middlebury College Museum of Art blog
This spring students in Sarah Rogers’s History of Photography course were given an assignment: choose one photographic work on display at the museum, assume a first-person perspective—the photographer, the subject of the photograph, or someone on site—and narrate what you
Read More Student Impressions: The Photography of David Plowden
We humans have a habit of storing memories and feelings just about everywhere. The house, the car, the cat, articles of clothing, coffee mugs, lost teeth, and locks of hair. Really, anything will do as a repository for the moments
“The artist who searches for subject matter is like someone who can’t get out of bed without understanding the meaning of life.” –Fairfield Porter When I think about pencil drawings my mind inevitably wanders to Robert Frost’s Mending Wall. “Something
It’s not often that I get to make direct connections between an exhibition in the galleries and the collection of public art that we have on permanent display around the campus. The opportunity is probably there more often than I’m aware, but during my tenure anyway, the times when the similarities have been palpable have been rare. This spring, with Environment and Object • Recent African Art on view in several of our galleries there’s a theme that’s begging to be explored both inside and out. And it’s totally rubbish.
This always happens. We put up a fantastic exhibition; the public enjoys it, raves about it even; and then I wake up months later as the show is about to come down and realize that I have yet to spend
As I watched our preparators put the finishing touches on the installation that now occupies the museum’s upper balcony—four heads by New York artist Richard Dupont, generous and timely loans from a private collection—my mind was overrun with clichés about
