There are many ways to interpret a work of art, and the museum’s Label Talk series encourages visitors to reflect upon and voice their own interpretations of specific artworks, such as this stenciling and hand-painted enamel work by Ghanaian artist El Anatsui. Several members of the Middlebury community have offered their personal or professional reactions…
Label Talk: George Osodi’s Oil Spill Near Farm Land Ogoni
There are many ways to interpret a work of art, and the museum’s Label Talk series encourages visitors to reflect upon and voice their own interpretations of specific artworks, such as this photograph of an oil spill by Nigerian artist George Osodi. Several members of the Middlebury community have offered their personal or professional reactions…
MuseumWorks 2021: A Virtual Introduction to Museum Themes, Issues, and Careers
MuseumWorks 2021 From 21 June–30 July 2021, fourteen Middlebury College undergraduates participated in MuseumWorks, the Middlebury College Museum of Art’s paid summer internship and professional development program. The goal of MuseumWorks is to help students learn about available career paths within art museums specifically and the art world more broadly. Over the course of the…
Neo-Sumerian Record Keeping: A Cuneiform Tablet Fragment from a Mesopotamian Archive
By: Pieter Broucke, Associate Curator of Ancient Art and Professor of History of Art and Architecture In the fall of 1996, the Middlebury College Museum of Art received a gift from John Paul Wallach, Middlebury alumnus from the class of 1964, and his wife Janet Wallach. It was a fragment of a terracotta tablet with…
Piecing Together Cultural Context: Ancient Greek Painted Pottery Sherds
By: Pieter Broucke, Associate Curator of Ancient Art and Professor of History of Art and Architecture The Middlebury College Museum holds a collection of some thirty Ancient Greek pottery sherds that as small primary sources greatly enhance the teaching and learning of Greek vase painting. The fragments come from a variety of vase shapes, represent…
Brilliance Full and Wide: Transcription and Translation of a 1960s Chinese Manual of Poetry and Painting
The following transcription and translation of a 1960s Chinese Manual of Poetry and Painting in the museum’s study collection was created by Rebecca Li ’21 in connection with Professor Cynthia Packert’s spring 2020 course HARC 0347: Aesthetics of Asian Art. Object Credit: Manual of Poetry and Painting, c. 1962. Study Collection of the Middlebury College…
Resources and Reflections: World AIDS Day 2020 and Beyond
On November 30 Visual AIDS premiered TRANSMISSIONS, a program of six new videos considering the impact of HIV and AIDS beyond the United States. For those who were not able to attend the premiere those videos are now available to stream, and we encourage you to visit the TRANSMISSIONS website to watch the films (please…
Day With(out) Art / World AIDS Day 2020
Once again, the Museum and the Student Friends of the Art Museum are pleased to partner with GlobeMed, a student organization dedicated to improving global health, and the Rohatyn Center for Global Affairs to offer what is becoming an annual series of events at Middlebury marking World AIDS Day. A video screening, a panel discussion…
The Annual Purchase Party Goes Virtual
The 2020 Friends of the Art Museum Purchase Party—our 51st annual!—will be a little different this year. Due to Covid, the entire program will be presented online via Zoom. Yet, as in previous years, museum colleagues will offer presentations of three recent additions to the museum’s collection, and at the end we will give members…
Carving the Collection
By: Sarah Briggs ’14, Sabarsky Fellow One of my favorite ways to spend time with a work of art, to look at it closely and understand something new about it, is to make art inspired by it. Sometimes that means bringing a sketchbook into a museum and drawing exactly what I see, and sometimes it…
