Vergennes to Boston to Rome: A Neoclassical Marble Portrait by Vermont-born Sculptor Margaret Foley

By: Richard Saunders, Museum Director and Professor of History of Art and Architecture In the past year the Museum was able to acquire a stunning neoclassical marble portrait tondo carved in 1862 in Rome. What is particularly notable about the

Another Summer in the Books

Summer comes and goes very quickly here in Vermont—blink and you’ve missed it, as some would say—and like the season itself, our summer exhibits vanish with a similar haste, like a Fumé Blanc that you wish would have lingered just a bit longer on your tongue. As I watch the works come off the wall and go back into storage or back to their lending institutions, I often find myself wishing that I had spent more time with them, and inevitably I turn to the exhibit’s comment book to absorb others’ insights about the show as a way of allowing it to hang a little longer in my mind’s eye.