Tag Archives: Writing to Heal

Tech Fair

Participated in Teaching with Technology,

Tech Fair, Co-sponsored by the CTLR and LIS @ Middlebury on Thursday, June 4th.

I looked at some of the ways I’ve used technology in four classes:

Mack made posters for all of us who presented:

Time

One of the wonderful things about working at Middlebury College is that every three Januarys, I have a month off from teaching. Don’t get me wrong. I love teaching, and my students bring me great joy, but a bit of time away from the classroom means time for longer projects, time to indulge in a sustained thought.  This January, I’m working on two projects: revision for an article about how I use writing workshops in my Writing to Heal course and preparation for a JASNA-VT talk on Jane Austen’s Persuasion. Certainly, immersing myself in the Peninsular War and the Convention of Cintra have helped me weather the snow, ice, and cold that has descended on northern New England this year.

Writing and Healing: the Self and Others

If you attended my session at the CCCC in NYC this March, you might like to see more about the assignments for my course. Discussions and papers will not be open to you, but you can check out my syllabus and assignments.
Here is the Movable Type Blog I used to communicate extra information to my class.
I, also, used a class management site, SEGUE, which is Middlebury’s home-grown course management tool. It’s actually quite a robust program, and allowed me to stream in a del.icio.us feed as an RSS feature. I love this feature, and I’ve used it for other classes, too.

To protect their privacy, I do not have links to digital stories done by Writing to Heal class, but here are links to digital stories done by some of my other classes.

I blogged about my Writing to Heal class last year when a high school class visited Middlebury. You might be surprised at what happened.

I’ve included some sources that helped me prepare my course:

Anderson, Charles M. and Marian M. MacCurdy (ed). Writing and Healing. Illinois: NCTE,     2000.
Ballenger, Bruce. Beyond Note Cards. New Hampshire: Boynton/Cook, 1999.
Center for Digital Storytelling
DeSalvo, Louise. Writing as a Way of Healing. Beacon Press,     2000.
Pennebaker, James. Opening Up. New York: Guilford Press, 1990.
Rico, Gabriele. Pain and Possibility. New York: St. Martin’s Press, 1991.

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Healing and Transgression: Exploding Identity Genres

Our CCCC Presentation:
Healing and Transgression: Exploding Identity Genres

Session: B.25 on Mar 22, 2007 from 12:15 PM to 1:30 PM Cluster: 109) Creative Writing
Type: Concurrent Session (3 or more presenters) Interest Emphasis: race/ethnicity
Level Emphasis: 4-year

“Writing to Heal,” “Voices Along the Way,” “ The Art of the Personal,” and “Writing Across Differences”—these writing courses at x College challenge students to explore issues of identity by confronting loss, nationality, sexuality, class, gender, spirituality and ethnicity. In this presentation, three faculty members from Middlebury College discuss hybrid writing assignments from courses that combine creative and critical writing with the use of digital media. Discussing and writing about complex issues of identity and loss have transformed the lives of students taking these courses. Teaching these issues has involved personal and professional changes in the lives of the faculty members as well.

Hybrid genres that combine critical with creative writing provide students with theoretical knowledge and background from which to better explore their lives and identities in a thoughtful, informed manner. Digital media projects from weblogs to digital stories that combine words, music, photography and video encourage students to explore issues of their own identity through media often more in tune with 21st century students than conventional linear forms of writing. The music and visual images students choose in these projects often evoke deeper, tighter writing than students have produced before. A combination of formal and informal writing in public and private writing spaces allows students the opportunity to write for self, for others, or for a private few.

The different kinds of disclosure and identity writing in these courses explode the typical boundaries of assignments and genres when memoirs transform into short stories and research papers and projects use theoretical, creative and personal sources as evidence. In the process that unfolds in these classes, students and faculty learn to control and define their own narratives and explore who they have been, who they are becoming, and who they might yet be. Writing and media assignments that encourage students to understand their own identities better can lead students to understand and imagine better the identity of others. These assignments and courses have transformed personal pain into healing and forgiveness and have transformed self-disclosure into both self-acceptance and political mobilization.

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Opening Up


crocus

Originally uploaded by mebertolini.

I’ve been thinking lately about why I let three months go by without posting here. One reason is that I was preparing for and have since been teaching a course in Writing to Heal. I keep asking myself how I can write about teaching this course without violating my students’ privacy–as if even my pedagogy in this course should be secret. Ironically, I’m always harping about the benefits of transparency in teaching, but whenever I teach this course, I’m super-conscious of the trust my students place in me and what I owe them in return for that trust. I’ve developed protocols about what information is public and what information remains private in this course. I have a Movable Type blog site were I post changing and very general information. Connected to this site, is Middlebury’s homegrown course management site with pages I can open and close to the public. Any reader on the web can see my course description, syllabus and weekly assignments.
No one but my students and tutors can see our on-line discussion and drafts of my students’ papers. Given all this, perhaps it may seem completely contradictory that I threw the doors of my class open on workshop day to 30 high school students and two of their teachers. I did not plan on opening my very private class in this way, but circumstances often lead us down unimagined paths.

For the past three years, some of my Peer Writing Tutors have had an on-line. tutoring relationship with students from Ticonderoga High School in upper New York State just across the lake from Middlebury. Teachers and students planned a trip to visit Middlebury to meet some of their tutors and other Middlebury College students. Most of the time they could visit in the morning coincided with the time of my Writing to Heal class and the workshop on our second paper. I wondered if a few of my students would mind modeling their workshop for the Ticonderoga students. I brought up the subject tentatively in class and followed up with an e-mail to all the members of the class in which I gave students the opportunity to workshop their papers in a private location if they did not want to workshop their papers in front of the visitors. I hoped that of my sixteen students that, at least, eight might volunteer to read their papers aloud and workshop them for the Ti High students, but all sixteen agreed!
To accommodate our thirty or so visitors, I moved my class to the Center for Teaching, Learning, and Research in the Library. My sixteen students formed into four separate workshop groups with six to eight visitors each. As we had done before, my students read their papers aloud and commented on each other’s work by making positive, specific suggestions for improvement. My two class tutors moved between the groups and helped keep the conversations on track. Occasionally, the high school students asked questions or made comments—but mostly they watched and listened as the 18-20 year olds workshopped their papers like pros. My students received a big boost in self-confidence that day, and the high school juniors and seniors caught a glimpse at where they may be headed academically.
One of the reasons I dared to open my very private class to visitors is that they were face-to-face visitors and not on-line visitors. workshop.jpg Anything they heard or observed that day was transitory, fleeting while GOOGLE is forever—or seems like forever. More and more, as I continue to use Social Software and web-based tools for my classes, I feel aware of the future lives of my students and the powerful search engines that will track their on-line past for years to come. Thanks to Middlebury’s course management tool, Segue, I can choose what to open and what to close on our class site. Students can read each other’s discussions and papers on-line, but others outside the class cannot. A reader of this blog, for example, can find the paper topic and worksheet used that day, but will not be able to read my students’ papers. The window for that experience opened a crack for a group of high school students, but the hour has lapsed; the opportunity has closed.