This summer, shortly following Reunion weekend, we received a note from an anonymous Middlebury alum with a brief account of personal musings they had shared with friends detailing their impressions of Fred Eerdekens’ illuminated copper wire installati……Continue Reading Wired Up
There are many ways to interpret a work of art. The museum’s Label Talk series encourages visitors to reflect upon and voice their own interpretations of specific artworks, such as this pairing of a lustreware tile created by an Ilkhanid artisan in the……Continue Reading Label Talk: Calligraphic tile and Jean-Léon Gérôme’s sketch for The Whirling Dervish
There are many ways to interpret a work of art, and the museum’s Label Talk series encourages visitors to reflect upon and voice their own interpretations of specific artworks, such as this stenciling and hand-painted enamel work by Ghanaian artist El ……Continue Reading Label Talk: El Anatsui’s Untitled (with Red)
There are many ways to interpret a work of art, and the museum’s Label Talk series encourages visitors to reflect upon and voice their own interpretations of specific artworks, such as this photograph of an oil spill by Nigerian artist George Osodi. Se……Continue Reading Label Talk: George Osodi’s Oil Spill Near Farm Land Ogoni
By: Sarah Briggs ’14, Sabarsky Fellow One of my favorite ways to spend time with a work of art, to look at it closely and understand something new about it, is to make art inspired by it. Sometimes that means bringing a sketchbook into a museum and dra……Continue Reading Carving the Collection
During a 2019 re-installation of an Early Byzantine floor fragment, Museum staff invited three members of our community—an artist, an ecologist, and an archaeologist—to offer their perspectives on this mosaic. Recognizing that there are many ways to in……Continue Reading Label Talk: Museum Mosaics—One Object, Many Voices