Иммануила Кант, Критика чистого разума. Пер. М. Владиславлев. С. Петербург, 1867.
The volume contains on the title page the embossed imprint with the name BUGAEV, described by Monika Spivak of the Andrey Bely Memorial Apartment-Museum as “томик Канта на русском языке с владельческим экслибрисом Н.В. Бугаева, отца Андрея Белого.” [The image may be magnified to reveal the embossing. A complete copy of the work with Bely’s handwritten notations can be downloaded here.]
The volume contains extensive underling in pencil and frequently the notation NB [nota bene]. There are also attempts to organize paragraphs under the letters a, b, c, d. In other places notes are written in the margins. A full text version illustrating these notations has been prepared. The original was returned to the Andrei Bely Museum in Moscow.
The following images can be magnified by double clicking to see greater detail.
At the back of the book a blank page is covered on two sides with miniscule and very faded pencil notes.
There are also several separate sheets described below:
One A4 folded and written on both sides in pen
One legal size folded and written on both sides in pen.
One legal size folded written on both sides in pen.
One torn sheet written on both sides.
One 6×9 a sheet in pencil on both sides “Учебники” plus a list with numbers.
One half of legal size folded in pen and pencil written on one side only.
One half legal size folded in pencil on both sides, one of which lists Категории.
One half A4 size folded written in pencil with notes and page numbers.
One legal size ripped at top right corner in pencil on both sides.
One 2×8 slip of paper covered with numbers in pencil on one side and little drawing of Unicorn with extra long nose on other side.
One 2×2 piece of cardboard with little squiggles.