Adapting Content from a Massive Open Online Course to a Liberal Arts Setting

Fowler_BioRyan Fowler, adjunct professor at Franklin and Marshall College, the Lancaster Theological Seminar, and the University of Southern Maine and a fellow at the Center for Hellenic Studies in Washington, D.C.

 

Meinking_BioKristina A. Meinking, assistant professor at Elon University

 

 

Morrell_BioKenny Morrell, associate professor of Greek and Roman studies at Rhodes College

 

 

Norman Sandridge_BioNorman Sandridge, associate professor of classics at Howard University and a fellow at the Center for Hellenic Studies in Washington, D.C.

 

Walker_BioBryce Walker, assistant professor at Sweet Briar College

Summary

Sunoikisis (www.sunoikisis.org) offered S-Iliad in the spring of 2014, involving faculty and students from an online humanities course of twenty-five students at the University of Southern Maine, a five-person introductory classics course at Elon University, a lecture course with forty-seven students at Howard University, and a seminar for fourteen first-year students at Sweet Briar College.

Participating faculty members collaboratively designed the course on Homer’s Iliad, incorporating and supplementing content from CB22.1x: The Ancient Greek Hero, a MOOC offered by Gregory Nagy through HarvardX (www.edx.org). Once underway, students completed reading assignments on their own and met with their respective professors by arrangement or according to institutional schedules. They collaborated as members of cross-institutional working groups and posted written responses to a writing prompt each week, and all students and professors participated in weekly synchronous meetings using Google Hangouts on Air.

This case study discusses efforts to (1) achieve a productive, equitable, and consistent level of participation from each student over the course of the semester, (2) establish inter-institutional connections and foster an inclusive sense of community, and (3) generate a meaningful, collaborative engagement with the poetry through moderated conversations, peer-to-peer commentary, and direct feedback from professors.

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