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Drawing On the Wall

Categories: Midd Blogosphere

The American artist Sol LeWitt was widely known in the 1960s for the temporary wall drawings he devised for others to produce per his instructions as part of a growing Minimalism movement.

In what might be the epitome of hands-on learning, a group of art history students installed LeWitt’s Wall Drawing #394 last week as part of their class, “Minimalism: Art, Objects, and Experience,” with professor Eddie Vazquez.

The drawing came to Middlebury’s Museum of Art with a detailed set of instructions, including specifications for materials used and orientation of lines. Museum designer Ken Pohlman and preparator Chris Murray created the pencil grid guidelines, and each student could choose from a limited selection of lines to draw. The whole process took about 50 hours to complete, and the finished product will be on view in the Overbrook Gallery through April 21.

Drawing On the Wall

Categories: Midd Blogosphere, video

The American artist Sol LeWitt was widely known in the 1960s for the temporary wall drawings he devised for others to produce per his instructions as part of a growing Minimalism movement.

In what might be the epitome of hands-on learning, a group of art history students installed LeWitt’s Wall Drawing #394 last week as part of their class, “Minimalism: Art, Objects, and Experience,” with professor Eddie Vazquez.

The drawing came to Middlebury’s Museum of Art with a detailed set of instructions, including specifications for materials used and orientation of lines. Museum designer Ken Pohlman and preparator Chris Murray created the pencil grid guidelines, and each student could choose from a limited selection of lines to draw. The whole process took about 50 hours to complete, and the finished product will be on view in the Overbrook Gallery through April 21.

Things That Happened, Things To Do: Week of February 25

Categories: Midd Blogosphere

dispatch_distressed-300x160Our regular recap of goings on at the College and a look ahead to events on the horizon. As always, we hope to call your attention to items that captured ours and alert you to events that you won’t want to miss. If you have a news item that you think we’d be interested in, drop us a line at middmag@middlebury.edu

  • A provocative question posted on Middblog last week asked, “When’s the last time you took a risk?” In the post, blogger Cody Gohl ’13 decried the propensity of the Middlebury community to play it safe. He posited that we have created a culture that awards “risklessness.” An interesting discussion has ensued.
  • Professor Jessica Holmes and her creative work with MiddCore, which teaches skills and perspectives that foster the development of leaders, were the subject of the Visionary Leader Radio Showon February 25.  The show focuses on people shaping our future.

  • Middlebury alumna Dena Simmons ’05 was among the many influential women featured in The Makers: Women Who Make America, screened at Dana Auditorium on February 26. The film documents the sweeping social revolution underway as women have gained in personal and political power over the last 50 years.
  • The last day of the shortest month is jam packed with things to do. Among them, two lunchtime offerings:  Robert Orsi, historian and scholar of Catholic studies, discusses the practice of confession and how it has contributed to the ongoing crisis of sexual abuse of children by priests in his lecture, “Bless Me, Father, For I Have Sinned.”  And the Woodin ES Colloquium hosts cultural ecologist and philosopher David Abram, who will talk about the ecology of sensory experience, and how language influences our perception of the “more-than-human” natural world.

  • The late afternoon of February 28 brings a panel discussion about how emerging technology can be used to further Middlebury’s mission to foster qualities essential for leadership in our rapidly changing global community. And, Professor of History Paul Monod discusses the mysterious identity of one of the figures in the museum’s early Renaissance panel painting The Bearded Monk in the Middlebury Triptych by the Master of the St. Ursula Legend.

  • In the evening of February 28, the conclusion of Black History Month will be marked with a screening of Black Power Mixtape, highlighting the era of the Black Panther Party. For those who want to know what they are eating, VPIRG is sponsoring a labeling law forum to generate grassroots support for a campaign to require labeling of GMO foods.

  • A lot more goes into a cup of coffee than just the beans. On Friday, March 1, Writer in Residence Julia Alvarez and Bill Eichner will talk about the lessons they have learned from establishing their sustainable coffee farm and literacy center in the Dominican Republic. The talk is part of the Center of Social Entrepreneurship Speaker Series.

  • Dinaw Mengestu, MacArthur Fellow and award-winning author, will deliver the keynote address for the Center for the Comparative Study of Race and Ethnicity Symposium, on March 1.  He will talk about race and migration and the vocabulary of migration, which reflects our prejudices, biases, and fears.

  • A fabulous weekend of sports is ahead. Among the events: the women’s hockey team hosts the NESCAC championship; men’s basketball makes its sixth consecutive NCAA tournament appearance; and men’s hockey heads to the NESCAC semifinals/finals.

Fracking: A Tale of Two Countries

Categories: Midd Blogosphere
Journalist Dimiter Kenarov ’04.5 speaks on shale gas fracking in Poland and Pennsylvania

Journalist Dimiter Kenarov ’03.5 speaks on shale gas fracking in Poland and Pennsylvania.

Journalist Dimiter Kenarov ’03.5 has covered the hunt for a Macedonian serial killer and Baghdad’s Explosive Ordnance Disposal training program (think “Hurt Locker”) but says of his current assignment, “It’s the hardest thing I’ve ever done.” The young Bulgarian writer, now a resident of Istanbul, returned to Middlebury recently to talk about the complexities of “Shale Gas: From Poland to Pennsylvania” at the Franklin Environmental Center at Hillcrest. The widely published Kenarov is partially supported in this project by the Pulitzer Center for Crisis Reporting, a clue to how combative the issue of drilling for this so-called “energy game changer” has become.

The affable Kenarov began, at the audience’s request, with a brief presentation explaining what shale gas is and how drillers recover it from rock through hydraulic fracturing, or “fracking.” Small-scale shale gas drilling has gone on for years, but new horizontal drilling technology puts gas on the leading edge of the “unconventionals,” or fuels (tar sands, ultra deepwater oil, coalbed methane, etc.) being developed now that supplies of the world’s “cheap and easy” fossil fuels are waning. One benefit of shale gas, he noted, is that it’s found worldwide and doesn’t require expensive exploratory drilling.

After Kenarov outlined some of the risks and costs, however, it was hard to understand why Poland was leading the shale gas charge in Europe and how the practice has already achieved such a foothold in the U.S. As Kenarov explained, horizontal fracking wells cover a large surface area. To force and keep open the shale fissures and release the gas within, drillers inject at high pressure from three to seven million gallons of fresh water per well, mixed with sand and toxic chemicals such as benzene and lead. Some of that water is then recovered as “flowback.” “Then what do you do with it?” Kenarov asked. Much of Pennsylvania’s flowback is sent for underground disposal to Ohio. “The water picks up 200 times the salts contained in seawater—in the Marcellus Shale [in the U.S. Northeast] it’s 3,000 times more,” he said. The water also carries as much as 1,000 times the safe drinking levels of radioactivity from its travels through the rock. Chemically tainted water from the wells can seep into underground aquifers; if pumped out and sent to standard water treatment plants, which are not equipped to decontaminate this flowback, the water seeps into rivers, water tables, and food chains.

Then there are the noise and air pollution of huge trucks needed to move water and drilling rigs; the methane released from the wells that cancels out natural gas’s comparatively modest carbon footprint; the quick decline of many of the wells, which prompts more drilling; and the pipelines extending for thousands of miles through previously scenic farmland.

In Poland, one word explains an enthusiasm countered by many other European countries’ fracking moratoriums: Russia. Poland’s longtime nemesis provides two thirds of Poland’s natural gas, and while gas comprises only 13 percent of Poland’s energy mix, many Poles want to make sure it’s “Polish gas.” The writer noted that only eight percent of Europeans overall support shale gas, but any Pole questioning gas development is branded a “national traitor” supporting Russian interests. Despite the U.S. State Department’s technical support for fracking in Poland, and the fact that the state, not farmers, owns subsurface mineral rights, “Poland doesn’t have the infrastructure,” Kenarov said. “The economy of scale doesn’t exist in one small country.” In response, Exxon has withdrawn its interests.

Scale limitation is not the problem in the U.S., where millions of square miles are mapped for fracking and half a million active wells exist. Kenarov described coming into Pennsylvania to report on fracking as “going into a mosh pit at a punk rock concert.” In northern regions of the state that lie over the Marcellus shale gas play, towns are dealing with higher crime rates, accidents caused by huge trucks, and tensions between neighbors on either side of the issue. Struggling dairy farmers who sold their mineral rights for additional income have found their supply chains collapsing as businesses shift to ride the gas wave. Vegetable farmers are either concerned about their water quality or are discovering that their customers, wary of toxicity, are buying elsewhere. (As Kenarov noted, thousands of contamination accidents caused by faulty well casings and other mishaps throughout the U.S. have been registered with the Environmental Protection Agency.)

Still, enough interests are benefiting that the shale gas drive continues (Audience members noted that Vermont is the first and only state so far to ban fracking). Kenarov commented as he showed aerial photos of vast expanses of well clusters that looked more extraterrestrial than Texan, “the scale of development is striking.”

How Students Learn

Categories: Midd Blogosphere

DSC_5865Four faculty members offered varying perspectives on how students learn – from the ways that assessment tools can affect retention to the need for more “space” or improvisation in the classroom – as part of the yearlong conversation at Middlebury College on the future of the liberal arts.

In a panel discussion on Feb. 19 in McCardell Bicentennial Hall, Professor Barbara Hofer of the psychology department said that the method of assessing students, such as quizzes or short-answer tests vs. term papers or presentations, often drive how students go about their learning and what they’ll gain from it in the future.

“When students think what they are going to be tested on is discrete facts, then they make flash cards, right? They use rote memorization strategies. [But] if we are asking them to do higher-order tasks in our assessments, they are far more likely to use the strategies that lead to deeper understanding and knowledge,” she said.

It comes down to whether we want our students to remember disconnected bits of information or whether we want them to develop an entire web of knowledge, Hofer explained. Students don’t always see that the goal of learning is acquiring “rich, flexible, generative knowledge”; all too often they are concerned simply with the intake of information without any depth of analysis.

Cognitive psychologist Jason Arndt, an associate professor who specializes in human memory, supported Hofer’s views on knowledge acquisition.

In terms of a human being’s “working memory,” i.e., a person’s ability to think about things in the moment, people have an “exceedingly limited” capacity to hold onto data in the short term, said Arndt.  Teachers should be aware that working memory serves as a gateway to longer term retention, and if information “doesn’t get past working memory, it’s just not going to be there over the long term.” One of the techniques that Arndt uses when teaching highly complex material is limiting the number of words and ideas on each of the slides he shows his students.

He also pointed out that doing things in the classroom that demand deep, active thinking is much better for long-term retention as opposed to cursory activities that don’t demand active engagement.

“When left to our own devices,” Arndt said, “we don’t do a ton of things on our own that require a lot of effort to process it or to think about it, and that has consequences for later retention. If we do things in a relatively shallow way, that information is not likely to be there for us five minutes down the line, 10 minutes down the line, or three days down the line.”

Room for space and improvisation

The other two faculty members on the panel looked at the question of how students learn from vastly different points of view than that of their faculty colleagues from the psychology department.

Jonathan Miller-Lane, an associate professor of education studies, said that students’ curiosity should be at the center of teaching-learning process. “Before we talk about learning, we need to talk about which questions matter to students and what students are curious about,” he said.

Professors should be willing to give up their own preconceptions in honor of emphasizing the student’s place in the exchange of knowledge because, he explained, the student’s experience is more important than the teacher’s. To illustrate his point, Miller-Lane pointed to a quote from author and educator Parker Palmer: “To teach is to create a space, not to fill it.”

Said Miller-Lane, “We often assume as professors that the syllabus must pre-exist the arrival of the student and that the essential content pre-exists the arrival of the student. That’s a really interesting assumption to unpack, and this statement – to teach is to create a space – suggests that maybe there is something in the interaction between us that is at the heart of what learning means.

“Space for what then? If teaching is to create a space, where do we go but to John Dewey with this beautiful sentence: ‘Intelligently directed development of the possibilities inherent in ordinary experience.’ That’s what we are creating a space for. Where learning [is] acquiring abilities to engage that.”

Penny Campbell, senior lecturer in dance, said, “I am an improviser. That’s the bottom line in my life, [and] what I have been doing the whole time I have been here is bringing the body into the classroom, bringing the body to the center of our inquiry and our study.”

To foster improvisation, Campbell puts her dance students into situations without actually telling them what the expectations are. (She demonstrated her point by asking the audience of faculty, students, staff, and Middlebury parents to put their arms in the air and move them around. Some people moved their arms about wildly while others were more passive. Still others declined her request. But the point of the exercise soon dawned on everyone: our bodies were front and center, and none of us knew beforehand what the outcome of the exercise would be.)

“Living on the edge of chaos is something we can learn to do. We can learn the skills of operating that way. And also, we can have faith that if we are developing this amazing system of perception that the body-mind is – a continuous, active, self-organizing system in a way – if we can learn how to use that and open it and learn how to be comfortable with it, because I think we live in a culture that’s very, very suspicious of bodies.”

Every one of us has an “enormous amount of potential as a living being to perceive and pay attention to ourselves, to our environments, to the people around us, to what is going on” in life, and Campbell probes that potential in her students through improvisation.

The panel was moderated by Professor James Calvin Davis, the associate vice president of academic affairs, and was organized by his office to further the campus-wide conversation on the future of the liberal arts.

The next program in the series called Core and Change in the Liberal Arts will be held on Thursday, Feb. 28, at 4:30 p.m. in room 220 of Bicentennial Hall. Speakers from three academic disciplines and from Library and Information Services will broach the question: How can we use emerging technologies to support Middlebury’s mission “to cultivate the intellectual, creative, physical, ethical, and social qualities essential for leadership in a rapidly changing global community?”

Things That Happened, Things To Do: Week of February 18

Categories: Midd Blogosphere

dispatch_distressed-300x160Our regular recap of goings on at the College and a look ahead to events on the horizon. As always, we hope to call your attention to items that captured ours and alert you to events that you won’t want to miss. If you have a news item that you think we’d be interested in, drop us a line at middmag@middlebury.edu.

  • First African American to receive a degree from an American college or university (Middlebury, in 1823); first black man to serve in a state legislature. He was duly recognized as a distinguished citizen, but did Alexander Twilight’s contemporaries even know he was black? History professor Bill Hart shared surprising insights on VPR’s Vermont Edition.
  • In a joint wake-up call, seven students got up early last Saturday to present to the Board of Trustees their case for Middlebury’s divestment from fossil fuel companies. Student-run Middblog.com talked to the students about the experience.
  • Winter Carnival! Swimming! Diving! Hockey! Hoops! Check out recent Panther action.
  • Never mind the beltway intrigue on House of Cards. Students Anna Esten ’14 and Luke Carroll Brown ’14.5 have interned at the White House and worked on Elizabeth Warren’s hard-fought Massachusetts campaign. Spend lunchtime this Thursday with their tales of the power-hungry and learn if there’s a seat for women at the grown-ups’ table.
  • Mark Tercek, President and CEO of The Nature Conservancy, visits this week as Middlebury’s 2013 Global Environmentalist-in-Residence. He’ll work with students, visit classes, and give a talk Thursday afternoon about preserving “green infrastructure,” Nature’s Fortune: How Business and Society Thrive by Investing in Nature.
  • Get your slam on Friday night as two forces for poetry performance converge in Dana at 8:00.  Buddy Wakefield is a two-time Individual World Poetry Slam Champion (is there a belt?) and The Striver’s Row is a group of young performers (and high-end grad students) who’ve played both the Apollo Theater and the White House.
  • You think Mondays are hard for you? At least you’re not in a Russian prison, like Pussy Riot. Russia’s premier rock critic and fearless oppositionist Artemy Troitsky returns to Middlebury Monday, February 25, for a talk, “Enemies of the State: Pussy Riot and the New Russian Protest Rock.

What Humankind Left Behind

Categories: Midd Blogosphere

By focusing on a subject he calls the architecture of residual landscape, internationally prominent photographer Edward Burtynsky creates an art form that is as engaging as it is provocative.

The selection of photographs, on view at the Museum of Art through April 21, grew from a concept the artist began exploring in the granite quarries throughout Vermont and Canada in the early 1990s. Director of the Arts Pieter Broucke and Juliette Bianco, assistant director of Dartmouth’s Hood Museum of Art, where the exhibition originated, are co-curators and introduced the show at its opening this week.

The works are large-scale—as are, after all, the deeply cavernous subjects—but the largeness of it all can be deceiving. The artist gives little sense of perspective within the photographs, so the smallest details—the rock striations and geometric cuts, a bright green pool, a chalky white glaze—became almost otherworldly, while at the same time so clearly recognizable as our own earth. It’s a mesmerizing beauty born of industrial destruction. The exhibition also inherently serves as social commentary, but the artist himself is not documentarian; he doesn’t press his opinion but rather propose the opportunity for healthy and ongoing dialogue.

Click through a slideshow of selections below, then make a trip to the Museum to see the show in person—a must!

Danby Marble Quarry #2

Picture 1 of 7

Edward Burtynsky (Canadian, born 1955), Underground Quarry, Danby, Vermont, 1995, digital chromogenic color print. Courtesy of the artist.