A “first-rate beer” voucher, 2,000 years overdue (a new, very old acquisition for Special Collections)

In special collections, visitors often ask us, “What’s your most expensive item?” Or sometimes, “What’s the oldest thing you have?”

In late November, we acquired our newest, oldest thing: a baked clay tablet that originated in ancient Mesopotamia (current-day Iraq), from about 2,000 BCE. This small tablet (measuring just about 1 inch x 1 inch and pictured here) is incised with cuneiform script on both sides, considered to be one of the earliest forms of writing.


With the help of Middlebury alum Seth Richardson, Class of 1990, a historian of the ancient Near East at the University of Chicago, we’re hoping to learn more about our new acquisition. What we do know, is that our tablet is essentially a beer coupon. That’s right. Based only on preliminary examination, Dr. Richardson translated the first line: “3 liters of first-rate beer.”

And as it turns out, the Western tradition of beer brewing began in Mesopotamia between 3500 – 3100 BCE. How do we know? Largely from cuneiform tablets like ours, which contain detailed records around beer production, the delivery of raw materials (barley, yeast, bread, flour), and the trading of beer products. Not unlike apple cider production in colonial New England, ancient Mesopotamians lacked clean water, but had an abundance of fruit (or in Mesopotamia, lots of grains) and the know-how needed to ferment them. And, they had the earliest known written alphabet to boot.

References

Beer in the Ancient World.” Ancient History Encyclopedia. Accessed December 3, 2015.

Damerow, Peter. “Sumerian Beer: The Origins of Brewing Technology in Ancient Mesopotamia.” Cuneiform Digital Library Journal, no. 2 (2012).

Turkey on Film: Delicious Dinners in the 16mm Archives

Thanksgiving Day meals are not complete without a perfectly cooked turkey. In these two clips from 16mm reels in the Middlebury College Archives, we see both students and the administration sharing in the enjoyment of Thanksgiving’s most iconic fowl.

First, we join the College’s 10th President, Paul Dwight Moody, as he carves a turkey in the late 1930s or early 1940s. This event may have been part of any number of alumni turkey dinners that Moody attended over his presidential tenure.


Next, we find a student in a 1950 promotional film for the College savoring a chef-prepared turkey meal. The clip goes on to highlight the focused work ethic and “enduring zest” for scientific experimentation exemplified by mid-century Middlebury’s  “ambitious youth”.


Happy Thanksgiving!

Middlebury College Football, 1947

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The 1947 Panthers were led by coach Walter “Duke” Nelson (far top left) through a comeback season to the state championship.

 

Though today’s Middlebury College football team stands as a formidable member of the NESCAC, the lineup that went on to win the 1947 state championships may not have seemed quite so promising at the start. Having consisted mostly of Navy men who could only practice after supper and on Saturday at the conclusion of WWII, the 1946 team had played a hard-fought four-game season with only one win. Thankfully, Class of 1932 alumnus Walter “Duke” Nelson returned to Middlebury to coach the program the following year and had a record enrollment of over 600 men to pick from.

 

Two players from the 1947 lineup practice the skills that won them the state championship.
Two players from the 1947 lineup practice the skills that carried them through their historic season.

 

This recently-uncovered clip from a 16mm film reel in the College Archives shows the inexperienced yet rising stars of the team at play as Coach Duke led them in their historic comeback. With footage from several home games (including one attended by Gov. Ernest W. Gibson), the clip captures the momentous nature of the season, thanks in part to dramatic cutaways capturing sports headlines that chronicled the team’s journey.

 

 

Raising the Relief: The Journey of the Winged Genie

When the capital of the Assyrian Empire was moved in the 9th century B.C.E. to what is now Nimrud, Iraq, a new palace for King Ashurnasirpal II was built and adorned with ornate alabaster reliefs. One such carving, which depicts a winged deity pollinating a date palm tree, became Middlebury’s first art acquisition when it was given to the college by alumnus Rev. Wilson A. Farnsworth in 1854.

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Winged Genie Pollinating the Date Palm. Alabaster, 90 by 94 inches. 883-859 B.C.E. Photo: Middlebury College Museum of Art

Rev. Farnsworth had been serving as a missionary in eastern Turkey when the archaeological exhumation of the old palace was taking place and managed to secure one of several unearthed slabs. Now known as the “Winged Genie,” the carving contains a cuneiform inscription extolling the wonders of the king. Upon purchase, Rev. Farnsworth had it cut into sections that could be more easily transported on camelback to the coast. After a long sea voyage, the relief found its way onto a wall in the Library of the Department of Pedagogy in Old Chapel.

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The “Winged Genie” slab was gifted to Middlebury College by Reverend Wilson A. Farnsworth, Class of 1848, seen here at age 87 in 1910.

By 1936, a college newsletter lamented the lack of attention given to the artwork by students and alumni, adding that “occasionally some archaeologist who [had] never heard of Middlebury’s football team, its summer schools, its mountain campus or its academic rating [would arrive] to do obeisance” to the carving. Perhaps in a move to raise the relief’s profile, it was hung in the entryway of the newly-constructed Munroe Hall in 1941. As the following clip from the College’s 16mm film archive demonstrates, people were more than happy to become familiar with the carving.

After gaining recognition from the college community and a fair amount of wear and tear, a campaign was launched in 1988 to raise funds for the cleaning and conservation of the slab. Complete with a new steel frame, the Winged Genie is now on permanent display in the Middlebury College Museum of Art where students and archaeologists alike can offer their obeisance.

Removal of Winged Genie from Munroe Hall
Twenty one segments of the slab are carefully removed from Munroe Hall by Museum staff Ken Pohlman and Harvard conservator Henry Lie for transport to the conservation lab at Harvard University. Photo by Eric Borg, February 1990.

Be sure to attend the November 5th lecture, Ancient Near Eastern Art—in New England and in the News, to learn more about the legacy of Near Eastern Art in American museums from Prof. Susan Ackerman of the American Schools of Oriental Research and Prof. Shalom Goldman of the Middlebury Department of Religion.

Happy Hallowe’en from Special Collections and Archives: Student Costumes Through History

Today’s dose of Special Collections spookiness comes from our series, From the College Archives, curated by Josh Kruskal, ’15. Josh drew on 200 years of Kaleidoscope yearbooks in search of quotidian and familiar moments, captured across time.

1910
1910

 

1952
1952

 

1959
1959

 

1969
1969

 

1991
1991

Happy Hallowe’en from Special Collections and Archives: 16mm Film Edition

Nothing says “Halloween” quite like the dangling skeletons and other morbid specimens you might find in a 1930s biology lab. This recently uncovered clip from a 16mm film reel in the College archives shows various lab exercises for a comparative anatomy class in Warner Hall. Students enrolled in the course could apparently look forward to careful study of amphibian and human organ models, diligent vertebrae counting on skeletal mounts, and the dissection of a preserved cat—a process which was unfortunately (or fortunately, depending on your enthusiasm for biology) filmed out of focus.

Decades later, alumni were said to seek out the anatomy lab in an effort to “breathe again the characteristic aroma of the laboratory—a combination of such odors as those from preserved dogfish and cats, xylol and alcohol, polliwogs and paraffin, inseparably blended.” So from all of us here at Special Collections and Archives, here’s wishing you have a Halloween that’s just as viscerally macabre!

Happy Hallowe’en from Special Collections and Archives

As spookiness begins to fill the cool Vermont air, ghoulish items lurking in the depths of Special Collections & Archives are coming out to join in the Halloween fun. Be sure to check back all week as we feature ghastly glimpses of the past in a series of posts leading up to the most frightening night of the year.


The first in our series features a mechanical postcard illustrated by Ellen H. Clapsaddle (1865?-1934), an American artist born in New York state. During the golden age of postcards in the early 20th century, holiday-themed greetings were all the rage and Clapsaddle became one of the genre’s most prolific artists. Close to 2,000 postcards have been attributed to Clapsaddle.

This postcard boasts a movable, hinged arm that hopefully made up for the card’s belated arrival sometime after Halloween (scroll down to see the handwritten note on the back of the postcard).

The front of this postcard from the early 1900s presents an embossed illustration by iconic card artist Ellen H. Clapsaddle, complete with an articulated arm. From C-132 Historic Postcards & Ephemera.

 

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The back of the card reads, “How is Aunt M L. S.? Did you have a Merry Halloween? From Your Nephew.”

 

Stacks and Tracks, the Special Collections & Archives radio show

From the restricted-access bowels of the library basement.
Come wonders like you’ve never seen (and still can’t, because it’s radio.)

 

Stacks and Tracks
WRMC Radio Studio, 1970. From the College Archives Photographic File.

91.1FM | iTunes radio | listen online | on your phone

Visit us in the stacks too. M-F, 1p-5p in the basement of Davis Library.

 

Classes Visiting Special Collections

Five classes visited Special Collections last week, studying a wide range of materials.  We shared hundreds of items, from classic Greek texts published in Venice in the 15th century, to an 18th century Torah, to 1930s government reports on eugenics policy in Vermont.

Italian Renaissance Art with Prof. Carrie Anderson
Italian Renaissance Art with Prof. Carrie Anderson
Native North America with Prof. Marybeth Nevins
Native North America with Prof. Marybeth Nevins
Reading Slavery and Abolition with Prof. Will Nash
Reading Slavery and Abolition with Prof. Will Nash
Middle Eastern Political Religion with Prof. Shalom Goldman
Middle Eastern Political Religion with Prof. Shalom Goldman
The Ten Commandments with Prof. Shalom Goldman
The Ten Commandments with Prof. Shalom Goldman

Bread Loaf menu options, from the Archives

In honor of the return of the 2015 faculty plenary meeting and lunch to the Bread Loaf campus, we have some recipes to share. Late this summer, Patti McCaffrey from Dining Services delivered a mildly corroded metal recipe box to the Archives. Uncovered during the Bread Loaf renovations, the box was likely the property of Alfleda DeGray, a longtime cook at the College and Bread Loaf. (Alfleda’s start day was July 1, 1945 and her last day was February 9, 1987. We’ll do the math: that’s forty-two years of feeding mouths at Middlebury and at Bread Loaf.) At the time, female cooks were responsible for cold salads, punches, and appetizers rather than main dishes, which were the territory of male cooks. We’re not sure what’s on the menu for this year’s lunch, but we offer a few options from Alfleda DeGray’s Bread Loaf recipe box: A “Thirst Inviting” dip; Wagon Wheel Cheese; and a Fruited Cheese Salad with lemon and strawberry gelatin. Enjoy!

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Breadloaf-Recipe-Box-Wagon-Wheel

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