The Stein Article discusses how fan forums and communities can provide both a platform and support system beyond the immediate context of the actual text it is dedicated to based on the fan community of Roswell and the example of 9/11. Even though the fansites mentioned in the article are primarly meant to give an outlet and a forum of discussion for fans of the show, allowing them to talk about characters and storylines and collectively speculate on possible upcoming events, in the wake of the tragedy of September 11th, conversations on the message boards and threads started delving into other topics such as religion and politics.

The shared experience of fandom for this particular show had created a bond that by its members and through the article is referred to as “friendships”. As previously with regards to Harry Potter fans fan communities connect people based on a common interest, in this instance and tv show, but by frequently and consistently talking about something they feel passionate about and exchanging opinions and views, relationships are developed, without ever meeting in person, that create intimacy and a sense of belonging – ultimately friendships evolve. Especially at a time of crisis, such as in the fall of 2001, these communities get together and cope together. What I found particularly striking was the fan art discussed in the article that combines fictional characters with actual events. This practice, as Stein points out, is controversial, as the line between reality and actual tragedy and events in a narrative are blended. To the artist this is a personal form of expressing and dealing with grief, whereas for an outsider this may seem strange or even inappropriate.

Based on the first two episodes of Roswell that were screened we get a vague idea of the themes and values the show conveys. Healing and interpersonal connections play a crucial role and Millennial themes such as families and support systems of friends are portrayed. More importantly though the show illustrates the feeling of alienation felt by many teenagers. The question of belonging in this world or being an outsider and the complications one might stumble upon while trying to overcome these issues are represented within a science fiction/ coming-of-age narrative. It is hardly surprising that these themes would resonate with young viewers and would result in a passionate fan following. A central love story of star-crossed lovers is certainly helpful to engage a young probably predominatly female audience. The set-up of an average girl falling in love with an other-worldly good-looking guy seems familiar – while viewing the episodes many parallels to Twilight could be recognized.

The article compares Roswell at times to Buffy, which makes sense as both shows use a supernatural backdrop to address the trials and tribulations of being a teenager. Still, it seems remarkable that the online communities around this show reacted so strongly to 9/11. It seems that bonding over universal themes such as the pain of adolescence connects viewers and allows them to actually form friendships that exceed the medial texts their based upon.