Boyer and Idsvoog discuss the 1995 film Crimson Tide as an example of post-Cold War mass culture’s engagement with the threat of nuclear war. How is the following trailer for the film relevant to Boyer and Idsvoog’s analysis?
Boyer and Idsvoog discuss the 1995 film Crimson Tide as an example of post-Cold War mass culture’s engagement with the threat of nuclear war. How is the following trailer for the film relevant to Boyer and Idsvoog’s analysis?
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