Class, Culture, Representation

Week 5 Day Discussion Question 6

| 0 comments

How do songs like Merle Travis’ “Divorce Me C.O.D.” (1946) relate to Raines and Walker’s discussion of Southern, white, working-class mobility after World War II and the honky tonk on page 46?

Author: Holly Allen

I am an Assistant Professor in the American Studies Program at Middlebury College. I teach courses on nineteenth- and twentieth-century U.S. cultural history, gender studies, disability, and consumer culture.

Leave a Reply

This site uses Akismet to reduce spam. Learn how your comment data is processed.