More Art in the LandscapeWhile I’ve already proven my failure as an Art Critic, I still enjoy the end of the term, when outside art projects start appearing overnight, and I feel like I should share them with you. Very rarely do we in the department ever find anything out about the works-we don’t even know the class or professor. Many have to do with trees, so sometimes I worry. Like last year, when I took a close look at a yellowwood tree on the south side of Coffrin, and found tiny bits of yarn left on many, many twigs. The yarn must have been nylon, for while it appeared old and weathered, it was still quite strong, and not starting to rot and fall off. All of this had to be removed, before the yarn started choking the branches and killing them. The term isn’t over, but here our some that have appeared.
This was a fun one, on a Japanese Maple tree outside of Johnson. I was over by Battell, and it drew my eye from that far away. Those are little bits of paper scotch taped to the branches, right around when the Magnolias were blooming. It was gone by the next day, with only a couple of errant tape pieces left to remove.
This piece caught my eye. I meant to forward this picture to Matt Biette, asking him for a reward on dishware retrieval. Notice the bottle at the top of the hill, like the plates are cascading down around the spectacular Red Oak tree.
My favorite, though, goes to one I actually know more about, thanks to Carrie Macfarlane of Armstrong Library fame (thanks Carrie!). Jue Yang, ‘11.5, made this spectacular sculpture for the Spring Symposium, based on her work in the “Art on the Land” Winter term class with Eric Nelson. You, dear reader, must see this in person to appreciate it-the size and layout preclude great photography, at least by me (any volunteers? I’ll post them) Walk on the Bicentennial Hall side of Freeman International Center, past the patio, and down around the back. The beginning (?) of the sculpture starts low, almost like a fallen tangle of branches, and builds as it wends through brush and trees. All the wood was local to the immediate area, so the piece grows almost organically like the landscape around it, working in a tree, and playing off the topography. Meet me at our Arbor Day celebration on Friday the 7th and I’ll point you in the right direction. (click on the picture to download a larger-one is now my desktop background on my laptop)