This video essay is really great and very educative. In it, Oswald analyses the patterns in the scores of all the films by Christopher Nolan from his first movie to his last. To achieve that he uses quite a lot of partial screen, with the extra space afforded used for on-screen text and for coded and animated symbols that give a visual dimension to the sounds that we hear on screen.
I thought that his partial screen method with annotations and animations was incredibly effective to covey the idea of a pattern. That worked even better given the fact that he divided his video essay into 3 parts that describe 3 different moments in Nolan’s career regarding musical choices. Of course, that was caused by his working with different film score composers. So his concept of pattern spanned across scales. There is the pattern within the song, across films and across periods of his career, from his earliest movies such as Following (1998) and Memento (2000) to the Batman trilogy and Interstellar. Now that I write this I realize that Dunkirk is absent from the video which is odd given that it was only released 2 weeks ago. Dunkirk would have fallen under the last category of movies that are more of an undertone for the scene than anything else with the unending and tension-building effects of Shepard’s illusion.
For a while in the essay, I wished that he had used text on screen exclusively so we could hear the music better and perceive the patterns and variations, uninterrupted by his voice. But the more the video went on, the more I realized that the level of explanation that the essay requires would have perhaps been too exhausting to read while paying attention to the music and its patterns.