Videographic Film & Media Studies: Fall 24

FMMC0334, MW 11:15am - 12:30pm, Axinn 105

Author: Logan Richards

Logan Richards Portfolio

I really loved the deformation assignment. I feel like it was the first time I realized that video essays can be more artistic and experiential instead of just straight up analytical. I liked getting to play around with Point Break, one of my all time movies, and just seeing how I could deform it to change the audience’s experience watching it. This deformation in particular I really liked because in my reading of the film Johnny Utah is gay for Bodhi and this scene is right before Utah first meets Bodhi when he is surfing with his ‘real’ love interest Tyler. I thought splitting the screen and flipping one half of it was really interesting because then it shows their divergence and really highlights their incompatibility. I think this assignment really changed my style for the rest of the semester (and for my thesis as well). I just really liked thinking about video essays as experimental art. I think it really helped me get away from the more traditional podcast type video essay style.

This particular assignment was probably one of my most frustrating this whole semester. I just could not get the text box to scroll the way I wanted it to and I had yet to really figure out fonts. But not being able to do what I wanted to do made me have to get more creative with the way I presented the text and I think it turned out pretty good. Again I think it helped me get out of the box of what I thought a video essay was and helped me think about not just the visuals but the text also being art. I can see a pretty direct influence of this assignment on my final video essay, not just with the red text and the weird placement but also the importance of timing. I also realized with this assignment that in a more exploratory and less analytical essay the words themselves don’t even really matter because its the symbiosis with the words and video and audio that actually matters.

I was quite proud of my pecha kucha. Off the bat I knew exactly what I was doing my super cut on and I had no clue at all about the pecha kucha. And then, I chose all my clips before even thinking about what audio I was going to use and really struggled to find a good and long enough clip to use. But then the audio I finally chose ended up syncing really well, especially at the end with the hand cuff clip. Looking back there are definitely some things I would do differently. I initially just chose clips to kind of try to present the actual plot of the movie and then I rearranged them to make more sense. So if you watch the video it does kind of illustrate the arc of Utah and Bodhi’s friendship even though it is not in chronological order at all. If I did it again I don’t think I would try to give it any kind of plot or story at all. Watching it now, I am proud of it but I also don’t think it makes much sense if you haven’t seen the movie and I would love to be able to let it go and have this video be able to function by itself.

I don’t love the finished product of this video response essay but I am proud of myself for really giving the desktop documentary thing my all. The first desktop assignment was a nightmare for me, I finished that assignment and said I would never do desktop style ever again, it was just too tedious and felt too personal. But I really think it was the right choice for this video essay. This was a much more personal than other projects I did for this class, it was also quite silly and I think that intersection is prime for desktop documentaries. This video essay was for me about navigating how media that I am drawn too also attracts some of the worst audiences ever and coming to terms with the fact that other people read media completely differently than I do. I think if I had done this in a different, more straightforward style it would have been much more difficult to get that message across. I would have had to rely so much more on voiceover and it would have just become a podcast about myself and just would not have been very interesting.
I had wanted to have a bit more of an analytical section to actually unpack the relationship of the women to the show but anytime I tried it just changed the whole tone of the video and made it much more serious instead of being silly and fun, plus it just didn’t come out well in the desktop format, it was just too wordy and boring. I’m also a bit disappointed that it didn’t come out more universal, like I don’t think any audience that isn’t intimately acquainted with Trailer Park Boys would get it (although my roommates who love Trailer Park Boys really enjoyed it). I think if I had leaned more into the analytical that wouldn’t have been a problem, but it being so personal and experiential it really matters if the audience is familiar with the original media.

I am really proud of my final video essay. It really does feel like an accumulation of all the skills I have learned over the course of the semester. I also think it is a great example of my own personal style. I think some elements of my style are obvious in my response video as well, lots of black screens, quite silly and unserious, and much more experiential than analytical, but I think they really shine here. When we showed our trailers for the final project I remember Jason saying that I had a very unfinished aesthetic but that it was good because it came across as purposeful. I feel like I really took that and ran with it. I feel very proud because I don’t know if it’s really all that good but I genuinely don’t think anyone else could have ever made it. It is just completely my voice and my style so I think that is pretty awesome.

I am also happy with the mix of exploratory and analytical. I had struggled making the analytical parts fun and interesting in other assignments but I think I made good analytical and comparative points here while keeping it very lighthearted and fun. I also think I did a pretty good job at managing audiences attention. I feel like it’s fairly obvious what the viewer is supposed to be focusing on at any point in the video which both makes it (hopefully) not confusing but also I think helps keep up the silly tone throughout even the slightly more serious parts of the video. This is probably the only project where I don’t think there’s anything I would really do differently, except maybe messing with the timing a bit more, like I think it says exactly what I want to be saying exactly the way I want to be saying it.

My only big criticism of this project is that I think it’s a bit too late for it. The tide has shifted on the Keanu question and I don’t think he really needs to be defended these days. It was quite difficult to find quotes criticizing him, even some of the ones I ended up using go on to say that regardless of his “wooden” acting he has a movie star quality that makes him awesome. So kind of the whole concept of this video is flawed because there are very few haters these days so my take is really not very exciting. If only I could have made this in 1995, then it could have maybe been relevant. Oh well.

Richard Linklater: Moments in Time

This video essay by Dream Dimension Productions is one of the coolest video essays I’ve seen recently. The whole video is a mixture between clips of Richard Linklater movies and interviews with Linklater himself. There is no other VoiceOver, text, or explanation behind the clips besides these interviews. Linklater talks about how he sees movies as moments and the plot is only the vehicle to express those moments. He discusses how everything is inherently autobiographical because life is also just a series of moments and cycles so all art draws from those moments and experiences and that is what makes movies so enjoyable to watch. Essentially his argument is that movies are about emotions and those emotions are prompted by certain moments that remind us of our own lives and not really the plot itself.

I think the use of the Linklater interviews as the main explanatory function of the video essay is super cool. Dream Dimension Productions does a really good job of finding moments from Linklater movies that work well with the overarching interviews and show the autobiographical elements of his movies. He includes a clip from Before Midnight where Ethan Hawkes character discusses how everything is autobiographical, a clip from Slacker where Linklater himself explains how every moment and decision of your life is crucial. It just does such a good job at illustrating the unifying themes within Linklater’s body of work while using his own voice to do it. It’s just awesome. I think the best part of this video essay is the way the tone mimics that of a Linklater movie, with the background music and all the clips, the viewer feels all the emotional weight. It almost feels like the 10 second flashing before your eyes of your life before you die, which is exactly how a Linklater movie is supposed to feel, like a series of moments.

Hollywood’s Obsession with Ambition

This video essay is a comparison between the show The Bear and the Wim Wenders movie Perfect Days. It fits The Bear in a broader pattern of media romanticizing and glorifying ambition and sacrificing everything for one goal. In contrast, Perfect Days is about a guy with no ambition who is deeply satisfied with his otherwise ‘boring’ life. The video talks about how this obsession with ambition in Hollywood is because of capitalism and the toxic grind culture we have seen take over the internet in the past couple of decades. The lack of ambition in Perfect Days allows the main character to really appreciate the beauty in everyday life. Thomas Flight, the videos creator, highlights that ambition and constantly focusing on a distant goal makes a person lose sight of the present and their needs and wants right now.

I really love the style of this video essay. At first glance it’s a pretty classic YouTube video essay that’s mostly a podcast. However, I was genuinely amazed at how well curated the clips were. They matched exactly what was being said, to the point where I think you would be able to get a pretty good idea of the analysis being made even while muted. It was just very clear that the creator of the video essay had both a real knowledge but also a strong passion for the subject he’s talking about.

The Brilliant Madness of Trailer Park Boys

This video essay by Leona Lewis is one of very few video essays on YouTube about the show Trailer Park Boys. Lewis actually has a second Trailer Park Boys video essay about its connection to exploitation cinema and ‘trash’ films and she questions why the show is not taken seriously enough. This video is instead a more broad overview of the show and how it exists in opposition to other popular media, even calling it an ‘anti-show’. She discusses how the show portrays poverty and anarchy as well as the importance of community. I picked this particular video essay because it is very similar to my thesis project but I just think she gets a lot of things wrong. First of all, I don’t particularly like the style, it’s pretty boring. Having shots of yourself talking to the camera only works if you’re charismatic or doing some kind of performance. I think the video would have worked better if it was more straightforward and less personal. And then I also did not really like the way that she portrayed anarchy in the show. At one point she says that anarchy is represented in the show through its “antisocial violent nature.” Which to be fair she then discussed how the show was anarchist because it rebelled against standard Hollywood sitcoms by portraying over the top drug use and violence. Which is true, but connecting anarchy to antisocial and violent behavior is just really bothersome. Anarchy is like the complete antithesis of antisocial behavior, it’s all about depending on community and social relationships instead of the state or other outside power structures. She later has a whole section of the video on community in Trailer Park Boys so she does see this kind of anarchy playing out in the show. I like this video essay and I think she makes some good points but I just think she represents anarchy as a theory or as practice very well.

Capitalism, Poverty, and Ratatouille


I watched this video essay because a few years ago I got in a huge argument with my sister about whether Ratatouille or Flushed Away was more “woke”. I was team Flushed Away because in that movie the rats accomplish real change and seem to abolish the class system that the frogs have implemented. While in Ratatouille the rats maintain the class system although they somewhat move up within it. Anyway, this video essay really changed my mind about the whole argument. The video argues that the rats in the kitchen are a metaphor for poor people who are not taken seriously in a creative space. And while the ending of the movie doesn’t break class structures it shows that poor people deserve a place in art and creative fields as well and opens the possibility for class mobility while also maintaining that that kind of class mobility is difficult. Ratatouille is not trying to present the world as some kind of utopic place where the hierarchical systems do not exist or are easy to dismantle. Instead it’s presenting the world as it is but pointing out the flaws within that system. The video essay does not mention Flushed Away at all but I still think it is also pretty woke just in a much more idealistic way.

I really liked the style of this video essay, I think it is pretty close to the style that I am aiming for in my thesis. The narrator is never on camera and the entire visual element is just clips from Ratatouille. I think the way that the narration, which is mostly but not completely independent, interacts with the clips is really fantastic. It could be watched without visuals and the viewer would understand most of it but the visual element really helps ground the more philosophical narration with the movie being discussed.

Everything is Content Now

This video essay by Patrick Willems is pretty awesome. In it Willems discusses how in the past few years we have transitioned from differentiating mediums into calling all of it “content”. Videos on Netflix, YouTube, Instagram, and TikTok are now all just considered content instead of films, tv shows, video essays, and shorts. He discusses how this change has affected the way that we as the audience interact with the various forms of media. We no longer perceive of these different forms of media as different or having inherent artistic value. Now, everything is monetized and the value of a movie is the same of that of a 2 min tik tok, as long as the tik tok blows up. Since watching this video I have tried really hard to stop using the word content when I can just use the actual name of the medium, but unfortunately it is quite difficult these days with so many different kinds of video media. It’s also tough because if we go too far against the “content” wave we just end back at film elitism where only film is high art and everything else is worthless.

The style of the video essay is quite personal. Most of the video is just Willems at a desk talking but he makes it interesting by varying his background and just generally being a great lecturer. It’s an almost hour long video but it really flies by because of how great his performance is. He even goes on a long philosophy tangent which could be boring but his tone and the energy in the video keep it interesting.

Love Island: A Flirtation With Surveillance

This is another video essay by my favorite video essayist Broey Deschanel. In it she discusses how reality television has evolved as it has gained popularity. In the beginning of Love Island there wasn’t as big of an audience and so there was less pressure to behave well. However in later seasons, participants are much more aware of thee ways that their actions and words can be taken out of context. Because it’s a show where they are filmed 24/7 and the episodes are released without them being able to watch or being aware of audience’s reactions, it creates a panopticon like state. The participants are constantly aware that what they’re doing might be broadcasted to the entire world although they are not sure if it is so they feel the need to police their own behavior and act accordingly. This is a phenomenon I have noticed as the later seasons of the show have gotten less eventful as the participants are much more on guard.

The style of the video itself is pretty classic for a YouTube video essay with a close up shot of Broey Deschanel talking with clips of love island intermixed. While I don’t think this is a very interesting way to make a video essay as it tends to be more of a speech and underutilize the visual elements, she did a great job of continuing the tone and vibe of the subject matter into the video. Her talking head clips use the same background that the Love Island characters have during their confessionals, keeping the video interesting and on theme.

Point Break and the Soft Masculinity of Action Movies

This is probably one of my favorite video essays ever. I remember watching it a couple years ago when it first came out and it really reignited my passion for Point Break. I figured since I was using the movie for this class that it was time for a rewatch. This video essay discusses the choices that director Kathryn Bigelow made to both subvert the action genre and call attention to its inherent homoeroticism. Broey Deschanel discusses how the use of shot reverse shot, composition, and even casting makes Point Break seemingly conform to traditional genre conventions while also portraying them through a distinctly feminine lens. I have loved Point Break since I first saw it as a preteen but I could never really explain to anyone why it felt like more than a classic action movie to me. But thinking about how it is through a feminine lens it makes a lot of sense that it appeals to me more than other films of the era and genre do. Kind of a sidenote but it also made me think about the video we just watched about voiceover and how women’s voices are not super prevalent in the video essay scene and are often taken less seriously. I’d never really thought about it before but all my favorite video essayists are women. I’m not sure if it’s because they just tend to tackle topics and movies that appeal to me instead of the classic film bro video essays do or if I just have some kind of innate feminine sense that makes me like them, and Point Break, more.

I don’t think there was anything particularly interesting about the style and choices of this video. It uses a pretty classic voiceover explanation over clips of the movie. While it’s not particularly innovative and I think it would be fairly easy to turn the script into a regular essay, it is done well and the visuals do really help with the comprehension of the analysis. I think the use of clips from other films to juxtapose with the choices made in Point Break is done particularly well and a moment where the visual element of the video really matters.