:A Stonebraker Narrative

This one really isn’t really for me, because I’m pretty excited (or, as excited as one can be about writing 15 pages …) about my first idea. But I was watching some television, as one does on break, and realized that beyond the narrative of a television episode itself, credit sequences are endowed with a […]

We’ve talked a lot about how the viewer is considered active in Bordwell’s model. They use schemata to evaluate the information provided by syuzhet and style to construct fabula. The viewer makes assumption, inferences and hyptheses, which are then proved or disproved when the narrative provides more depth, range and communicativeness. And now that I’ve […]