In this course we will explore a range of theoretical approaches to the study of spectatorship and media audiences. How has the viewer been theorized throughout the history of film, television, and digital media? How have theoretical understandings of the relationship between viewer and media changed in the digital age? How have gender, class, and race informed cultural notions of media audiences from silent cinema to today? We will consider key theoretical readings and approaches to studying spectators, viewers, audiences, fans, and anti-fans across the history of the moving image.
‘welcome’ Category
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welcome to theories of spectatorship, audiences, and fandom
February 5, 2013 by Louisa Stein
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