This research endeavor will bring us to the art markets of Antwerp, Amsterdam and London from the sixteenth to eighteenth centuries—a time of great intellectual ferment across Europe, birthed by a burgeoning interest in the cradles of Western civilization. We shall explore these markets from cultural, geographic, political and economic angles, concentrating on an aspect peculiar to each city. Thanks in part to its strategic crossroads location, the Antwerp market developed earliest, nurturing a dynamic, cosmopolitan scene. Amsterdam, which inherited the role of international art center in the wake of political upheaval, boasted a democratic system, luring many a middle-class collector and artist. We shall also discuss financial difficulties that artists, notably Rembrandt, may have faced. Lastly, we shall leave the continent, venturing across the English Channel to roost in London, which itself came to showcase a glittering auction and art market, dominated by the royalty and aristocracy.
Session: Jewish Identity: Influences and Reflections- MBH 216 at 3:30 p.m. from the Undergraduate Research Spring Symposium
Faculty Sponsor: Jennifer Hock, History of Art & Architecture
Major: History of Art & Architecture/Studio Art
My presentation will discuss the construction of cultural identity in contemporary architecture through the work of Moshe Safdie in his native Israel. I will examine the various influences on his practice, from the tradition of vernacular, Islamic architecture that has developed in Palestine for centuries, to European Modernism introduced by 20th century Jewish immigrants, as exemplified by the Bauhaus movement in Tel Aviv, and relate them to the contemporary discourse of critical regionalism. Specifically, I will refer to Safdie’s theoretical work and his project at Terminal 3 at Ben Gurion, Israel’s principal international airport, to analyze how the architect has constructed an experience that approaches the complex issue of a unified Israeli identity.