Tag Archives: Jeopardy!

Celebrating Black History Month 2018

The Davis Family Library is celebrating Black History Month in February 2018 with a display of books, audio CDs, DVDs, podcast recommendations, multimedia-based interviews and programming. Come to the atrium to see what we have in store and get a sneak peek at go/bhmdigital/. Read below to find out about the variety of ways to engage.

Katrina (Literatures & Cultures Librarian), what are the libraries doing to celebrate Black History Month?

Let me highlight three projects in detail:

a collage of 55 artistic book covers from the Black History Month Display

User Experience & Digital Scholarship Librarian Leanne Galletly has prepared a digital space that allows users to preview the books appearing in the Davis Family Library’s Black History Month display. This collage includes The Hate U Give, by Angie Thomas, Les Blancs by Lorraine Hansberry, and The Mother of Black Hollywood by Jenifer Lewis, among many others. Click on the image above to access podcast recommendations, too!

The Black History Month Display in the Davis Family Library atrium, February 1st- 28th, will include books, CDs, DVDs and podcast recommendations created by and about black writers, entertainers and artists. The scope is broad with works from the late sociologist W.E.B. DuBois (1868- 1963) and living, contemporary screenwriter Issa Rae (1985- ); jazz pioneer Miles Davis (1926- 1991) and Grammy award winning rapper Kendrick Lamar (1987- ); the cinematic classic The Color Purple (set in the 1930s and made in 1985) and  filmmaker Ava DuVernay’s Selma (set in 1965 and made in 2014). We’ve also got Senegalese author Mariama Bâ’s French-language classic Une si longue lettre; Cuban singer Celia Cruz’s Azúcar Negra in Spanish; and Pelé: Birth of A Legend, a documentary on the Brazilian futbolista extraordinaire. Blackness, after all, is not contained to any one, geographic region. You can get a sneak peek at the books by visiting go.middlebury.edu/bhmdigital.

eight images of participants who participated in recorded interviews

The In Your Own Words oral history project can be found in the Internet Archive, go.middlebury.edu/ia.

Second, In Your Own Words, an oral histories project, features interviews with students, staff and faculty from the Middlebury community responding to a variety of questions, among them:

  • Racially and ethnically, how do you identify?
  • How do notions of race and ethnicity change based on where you are and who you’re with?
  • What do you wish others knew about race and ethnicity?

These audio recordings cover identities linked to the Southside of Chicago, the Afro-Caribbean and East Africa and can be found on StoryCorps and in the Archives along with pdf transcripts. They will also be aired on Wednesdays February 21st and February 28th from 2:00- 3:00 p.m. on the Middlebury College campus’ radio station, WRMC 91.1. If interested in delving more deeply into personal stories addressing African identities, seek out Life Stories, found in Special Collections, in which three alums,  Barbara Ofosu-Soumah (Ghana), Mukui Mbindyo (Kenya) and Cheswayo Mphanza (Zambia), tell of their their experiences at Middlebury.

an advertisement depicting

On Friday, February 16, 2018, the Davis Family Library will host a Jeopardy-inspired trivia event dedicated to black history and culture. A raffle will be held for tickets to the opening night of the superhero film Black Panther.

Third, a competitive trivia game event inspired by Jeopardy will be held this month. Participants will compete for coveted prizes including board games, coloring books and poetry collections. Audience members can participate in a raffle for tickets to the opening night of Black Panther at The Marquis. Twelve categories have been prepared for the game that cover themes like geography, popular culture, literature and more. Sponsors include the Middlebury College Libraries, Vice President for Human Resources and Risk Karen Miller and the Program in American Studies.

Who makes all this possible?

a cartoon of an African American woman at left on a banner announcing the Black History Month Display

Middlebury College alumna Coumba Winfield designed one of the two banners (pictured above) for the Davis Family Library’s atrium display. She is also the founder of PopGig, a 21st century app that allows users to set prices for the services they seek. Download the app here and hear more about it at the Jeopardy-inspired trivia event!

With fear of leaving someone out, let me describe some of the roles people take on:

  • Kat Cyr, Rachel Manning and their student workers in Interlibrary Loan help to prepare bibliographies and pull featured items from the shelves.
  • Digital Media Tutors like Pedro, Dan, Caleb, Alfredo, Fayza, Rachel and Emma, Cataloging Specialist Marlena Evans, Librarians Amy Frazier and Leanne Galletly and Alumna Coumba Winfield help with developing print banners and advertisements.
  • Kim Gurney and Dan Frostman help to reserve props and digitally mark items as “on display.”
  • Lisa McLaughlin, Michael Warner and Marlena help with much of the invisible magic of ordering items and cataloging print and multimedia purchases.
  • Carrie Macfarlane helps me to problem solve and to manage my own creative ambitions. ;)
  • Every person interviewed shared their personal testimonies, which is no small feat: Jade Moses, Shenisis Kirkland, Clark Lewis, Kemi Fuentes-George, Kizzy Joseph, Nicole Curvin and Sarady Merghani.
  • Patrick Wallace prepared all of the audio files for the Archives.
  • Bill Koulopoulos’ group provided the funds for transcription.
  • Meg Daly and Maddy Goodhart planned the airing of the shows on WRMC.
  • Austin Kahn posted advertisements for Jeopardy.
  • Susan Burch educated me, as she always does, on the Life Stories project.
  • And all this is without mentioning the many people who will be staffing the trivia event!
Twelve headshots of librarians

An image of Middlebury College librarians. (Patrick Wallace not pictured.)

How can we help?

  • Know your librarian. There are 12 of us and we all have different strengths and expertise. 
  • Make appointments. It is a tremendous help to be able to anticipate office visits.
  • Heed advice. Want to develop a display? Read go/displays/. Or want new items purchased? Use go/requests/. 
A screenshot featuring an image of late author Julius Lester (1939-2018).

A screenshot featuring an image of late author Julius Lester (1939-2018). He is the author of seven items in the Middlebury College Libraries catalog, including Black Folktales. The text reads, “”It’s strange that whites fear that anything addressed to blacks is an automatic rejection and condemnation of them. That is not necessarily so… whites do not want to acknowledge the fact that if they want to know blacks they will have to immerse themselves in what blacks have to say, and that there is no white Dante who can take them gently by their…hands and lead them on a guided tour of blackness and keep them from getting a little singed by the fires.” ~ Julius Lester, in a letter, 1970 (Children’s Literature Review, Vol. 41)”.

 

 

What did you learn in the process of prepping all this?

  • Kathleen Collins was an African American cinematic directing pioneer and a Middlebury Language Schools alum who developed 1982’s film Losing Ground.
  • Stand-up comedian, actress and talk show hostess Whoopi Goldberg directed a documentary about a humorist who influenced her by the name of Moms Mabley.
  • Roxane Gay, writer of Bad Feminist, wrote a work of fictional short stories late last year called Difficult Women. It is en route to the Davis Family Library.
  • There’s a book in our collection titled The Loneliness of the Black Republican.
  • Julius Lester (1939- 2018), author of Black Folktales, recently passed away. With a book history project in grad school, Singed By the Fires, it was his work that first taught me I could incorporate blackness into librarianship. So, I dedicate this work to him.

What’s next?

About a year ago, I wrote that I hoped my work would be contagious. I wanted it to inspire others to further and more regularly engage with difference. People have been receptive to those cues and are creating ever more dynamic discourses on this campus.

From easiest to hardest, Leanne [Galletly] (User Experience and Digital Scholarship Librarian) and I want to make the spreadsheets used for the displays from the last year public. I want to find more time to read, research and contribute to national discourse on librarianship. Lastly, I need to recruit more professional peers who are people of color into my life.

Notes from the Mountain: a Summer Series

Each summer, Middlebury’s mountain campus in Ripton—home to the Bread Loaf School of English—becomes a hive of activity from late June to mid-August. From readings and performances to pick-up softball and study groups in the Barn, there’s a lot to notice and learn.

This summer, Middmag welcomes Bread Loaf student Diana Ling as a guest reporter for our “Notes from the Mountain” series of stories about the Bread Loaf School of English. Thanks to Diana, we’ll get a closer look into the daily happenings up on the mountain.

In this first installment, she interviews fellow student Noam Osband, who has appeared on both “Jeopardy!” and “Who Wants to be a Millionaire?”

Stay tuned for more!

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Noam Osband is easy to spot among the polo shirts and Patagonia jackets popular with Bread Loafers: he’s the guy who pairs sarongs with neon-green Crocs—and dons a cowboy hat, snakeskin boots, and a rooster-shaped belt buckle for the annual square dance.

Less visible, but no less legendary, is his distinction as Bread Loaf’s only two-time game show contestant.

His stints on “Jeopardy!” in 2009, and “Who Wants to be a Millionaire?” in October 2011, are easy fodder for conversation in Bread Loaf’s dining hall, where he waits on faculty and fellow students.

I sat down with Osband to talk about his wins, losses, and what he wore.

How much did you win on each show? Did it feel different to win on “Jeopardy!” compared to “Millionaire”? How did you use your winnings?

I won $27,759 on “Jeopardy!” and $250,000 on “Millionaire,” but being on “Jeopardy!” felt much more surreal. I’ve watched “Jeopardy!” since I was seven or eight, and my grandfather always asked me “Final Jeopardy” questions when we talked on the phone, and still does. My grandmother would make trivia booklets for me out of clippings from the Rochester Democrat and Chronicle.

I did splurge on a fancy meal, a ukulele, and a sunrise boat tour on Boston Harbor. I also bought a GE bond after a talk with my grandfather, who often tells me, “Jesus saves; Moses invests.”

Part of my earnings went towards filmmaking equipment, which I needed for my work as an Anthropology Ph.D. student at UPenn. I’m currently finishing “¿Dónde está México?” It’s a feature-length documentary about an Irish Catholic church in Philly that was in danger of closing, but has been revitalized by Mexican immigrants.

In September, I’ll start work on my dissertation, which will be a film about Mexican guest workers who do reforestation work in the U.S.

How did being on the shows help you see Bread Loaf through a new lens?

I got into street performance because of Bread Loaf, and street performance helped get me on these shows. When I sang a song about Bread Loaf professor Isobel Armstrong at the coffeehouse, people seemed to love it. I began street performing after that, and I think I made it through the auditions for both shows because I’d become comfortable with entertaining a crowd.

During the second day of taping “Millionaire,” I was told by a head producer to “cut it out” or get kicked off the show when I quoted “The Love Song of J. Alfred Prufrock” by T.S. Eliot as part of my response to the final question in the first round. Right after that, I remember thinking, “I can’t wait to get back to Bread Loaf to tell this story.”

Being on the shows made me appreciate the Bread Loaf community more. I always tell people, “This is the only place you can read a poem to a bunch of dudes drinking beer, and instead of calling you names, they’ll listen to you.”

What happened when you wore your cowboy hat to “Millionaire”?

After spending time in Mexico, I got into wearing cowboy hats, and I wear cowboy outfits to weddings. My childhood best friend, Toby, went to the first day of taping and brought a cowboy hat with him because I’d forgotten mine. When I brought my dad’s cowboy hat to the second day of taping, they wouldn’t let me wear it; I had to “tone it down,” they said. I did wear my rooster belt buckle, though.