At the museum’s first in-person Purchase Party since 2019, the Friends voted to support the acquisition of a rare Gothic coffret dedicated to Saint Roch and adorned with a woodcut print depicting the saint. Coffrets were boxes made to carry
This summer, shortly following Reunion weekend, we received a note from an anonymous Middlebury alum with a brief account of personal musings they had shared with friends detailing their impressions of Fred Eerdekens’ illuminated copper wire installation some need some feed... which is mounted above the museum’s reception desk.
There are many ways to interpret a work of art. The museum’s Label Talk series encourages visitors to reflect upon and voice their own interpretations of specific artworks, such as this pairing of a lustreware tile created by an Ilkhanid artisan in the 13th century to adorn a religious structure and an oil sketch created...
There are many ways to interpret a work of art, and the museum’s Label Talk series encourages visitors to reflect upon and voice their own interpretations of specific artworks, such as this stenciling and hand-painted enamel work by Ghanaian artist El Anatsui. Several members of the Middlebury community have offered their personal or professional reactions...
There are many ways to interpret a work of art, and the museum’s Label Talk series encourages visitors to reflect upon and voice their own interpretations of specific artworks, such as this photograph of an oil spill by Nigerian artist George Osodi. Several members of the Middlebury community have offered their personal or professional reactions...
By: Pieter Broucke, Associate Curator of Ancient Art and Professor of History of Art and Architecture In the fall of 1996, the Middlebury College Museum of Art received a gift from John Paul Wallach, Middlebury alumnus from the class of 1964, and his wife Janet Wallach. It was a fragment of a terracotta tablet with...
