the Middlebury College Museum of Art blog
Insights and observations on objects in the museum’s permanent collection
In 2019, the Committee on Art in Public Places, at the behest of Cynthia Packert, Christian A. Johnson Professor of History of Art, enthusiastically pursued the acquisition of The Perennial Gaze by renowned contemporary artist Shahzia Sikander. This stunning mosaic,
Read More Shahzia Sikander’s The Perennial Gaze Takes Pride of Place in the Axinn Winter Garden
There are many ways to interpret a work of art. The museum’s Label Talk series encourages visitors to reflect upon and voice their own interpretations of specific artworks, such as this pairing of a lustreware tile created by an Ilkhanid
Read More Label Talk: Calligraphic tile and Jean-Léon Gérôme’s sketch for The Whirling Dervish
There are many ways to interpret a work of art, and the museum’s Label Talk series encourages visitors to reflect upon and voice their own interpretations of specific artworks, such as this stenciling and hand-painted enamel work by Ghanaian artist
There are many ways to interpret a work of art, and the museum’s Label Talk series encourages visitors to reflect upon and voice their own interpretations of specific artworks, such as this photograph of an oil spill by Nigerian artist
Read More Label Talk: George Osodi’s Oil Spill Near Farm Land Ogoni
By: Pieter Broucke, Associate Curator of Ancient Art and Professor of History of Art and Architecture In the fall of 1996, the Middlebury College Museum of Art received a gift from John Paul Wallach, Middlebury alumnus from the class of
Read More Neo-Sumerian Record Keeping: A Cuneiform Tablet Fragment from a Mesopotamian Archive
By: Pieter Broucke, Associate Curator of Ancient Art and Professor of History of Art and Architecture The Middlebury College Museum holds a collection of some thirty Ancient Greek pottery sherds that as small primary sources greatly enhance the teaching and
Read More Piecing Together Cultural Context: Ancient Greek Painted Pottery Sherds
The following transcription and translation of a 1960s Chinese Manual of Poetry and Painting in the museum’s study collection was created by Rebecca Li ’21 in connection with Professor Cynthia Packert’s spring 2020 course HARC 0347: Aesthetics of Asian Art.
The 2020 Friends of the Art Museum Purchase Party—our 51st annual!—will be a little different this year. Due to Covid, the entire program will be presented online via Zoom. Yet, as in previous years, museum colleagues will offer presentations of
By: Sarah Briggs ’14, Sabarsky Fellow One of my favorite ways to spend time with a work of art, to look at it closely and understand something new about it, is to make art inspired by it. Sometimes that means
By: Richard Saunders, Museum Director and Professor of History of Art and Architecture In the past year the Museum was able to acquire a stunning neoclassical marble portrait tondo carved in 1862 in Rome. What is particularly notable about the
