Category Archives: Biography

woody-allen

Woody Allen is a both a man in the physical world and a self-generated persona in the world of art. Allen is a red-headed boy who had thoughts of death at the age of six; he is a withdrawn, anxious man who hops from relationship to relationship; he is a man who is middle-aged and still sleeps with a night-light; he is an individual who is capable of reflecting the intricacies of both inner dialogue – between the self and the self – and external dialogue – between the self and those surrounding the self, through art.

Throughout his comedy-film career, Allen developed multiple characters – the most recognized of which is his “nebby neurotic” or “WASP schlemiel character”: “the vain, cowardly womanizer who ends up the winner” (Meade, chapter 2). Allen’s personae and his real-life anxieties became ever more intertwined through psychotherapy sessions. He attended these sessions for fifteen years in order to feed his real-life anxieties and his artistic personae.

Allen’s films represent “laughter through tears” (Chances). His work is selfish in intent – “he thought of his work as self-therapy, a means…of keeping busy “so I don’t get depressed””, and yet, Allen’s expressions of his deep, looming anxiety function as therapy for his viewers. He is able to capture the absurdity of life and the blurry nature of human relationships in a way that allows us to step back from our reality and think about our lives as if we were observers, just as we are observers of Allen’s own life for two-hours, bathed in the darkness of the theater.

Early Life:

A young Woody.

A young Woody.

  • Born on December 1, 1935 in Brooklyn, New York to second-generation parents.
  • Predominantly Jewish neighborhood.
  • Lives with mother, father, mother’s sister and her husband – the house is very crammed.Most of the time the child was surrounded by people who spoke to one another in loud voices and waved their hands, all of which made quite a powerful impression. As an adult, detesting family turmoil and the forced intimacy of overcrowded households, Woody would be obsessive about solitude.” (Meade, chapter 1)
  • Grandfather, Leon Cherry, speaks Yiddish at home and English on the street. He is pious and a very hard-worker, without time for intellectual pursuits.
  • In his comedy shows and films, Woody depicts his parents’ relationship as antagonistic – Marty, his father, cannot settle on an occupation. This drives his mother crazy.
  • Raised by nannies; his mother has a very hot temper and spanks him often:

    “His mother,” recalled boyhood friend Jack Freed, “… was always taking a whack at him. Whenever he got her goat, she’d start howling and yelling before taking a good swipe at him. If my mother hit me that hard, I’d have run away crying, but he never cried. He had an amazing ability to restrain his emotions. His mother couldn’t control herself at all.”” (Meade, chapter 1)

  • Mother kept kosher, ordered that Woody attend Hebrew school. Ingrains a sense of discipline and time-management in him.
  • Allen believes that he has always been “pessimistic” and “depressed”. He had thoughts of death at a young age:

      “”I have memories of being very young, probably 6 or 8, and being put to sleep at night.” Lying in the dark, thinking “someday I will be dead,” (Meade, chapter 2)

Comedy and Hollywood:

  • At 17, after his cousin recommended that he send his jokes out to newspapers, he decided
    Woody Allen and Louise Lasser, his second wife.

    Woody Allen and Louise Lasser, his second wife.

    to change his name to Heywood Allen. (Meade, chapter 2)

  • 1953: Begins attending NYU. He failed Spanish, English, and almost failed motion picture production, after which “NYU dropped him.” (Meade, chapter 2)
  • Allen begins a career in stand-up comedy.
  • At 18, he meets his first future wife, Harlene. Their relationship was strained and dry; Allen would often passively incorporate jabs at Harlene in his comedy sketches.
  • Simultaneously, Woody had an affair with a woman named Louise, who he would later marry. She was smart, wealthy, and beautiful, but “emotionally frail”; reportedly, the two had a father-child relationship. Woody admitted:

    “”It was only when I started going out with women who were more cultured and made great demands on me that I started to feel I had to keep my end of the conversation up.” (Meade, chapter 2)

  • Allen writes for television and wins an Emmy.
  • His comedic persona and technique were originally influenced in Bob Hope and Mort Sahl’s humor techniques. Allen often focuses on his life and childhood.

  • Throughout this time, Allen also published comedy prose in New Yorker magazine.
  • Allen’s film-making career took off with Annie Hall in 1977.

  • It took him time to pick up screen-writing and directing, though:

“He shot scenes in one or two setups; dispensed with close-ups and worked only in master shots; eliminated actors’ rehearsals and allowed them to change dialogue; and seldom offered direction—all shortcuts allowing him to finish a picture before he got sick to death of it.” (Meade, chapter 3)

Diane Keaton's iconic style in Annie Hall (1977).

Diane Keaton’s iconic style in Annie Hall (1977).

 

  • After many box office hits, such as A Midsummer Night’s Sex Comedy (1982) and Hannah and Her Sisters (1986), Woody began to disregard “current trends”, shooting whatever films he deigned worthy. (NYTimes Bio)

 

 

Farrow and the Scandal:

  • 1982: Allen films A Midsummer Night’s Sex Comedy, starring Mia Farrow.

    ronan-1

    Ronan Farrow (a.k.a. Satchel) today.

  • He has a child with Mia Farrow named Satchel, who begins counseling at age 2.
  • 1992: He dates and marries Mia Farrow’s adopted daughter Soon-Yi Previn. Farrow wins custody over Soon-Yi; Allen must pay $3 million.
  • Allen was also accused of molesting 7-year-old Dylan Farrow, his adopted daughter.

The 2000’s:

The cover for Allen's film Midnight in Paris (2011).

The cover for Allen’s film Midnight in Paris (2011).

  • Allen shot many mixed-review films, such as Melinda and Anything Else.
  • In 2005, Allen won his first Oscar in a decade for the film Match Point. (NYTimes Bio)
  • Allen began a pattern of shooting overseas: In Spain, he shot Vicky Cristina Barcelona (2008), in France, he shot Midnight In Paris (2011). The latter project turned out to be Allen’s most successful box office hit. Accordingly, he won a Golden Globe for Best Screenplay and the Oscar for Best Writing. (NYTimes Bio)
  • A scene from Midnight in Paris: “Talking About Love and Death with Ernest Hemingway”

 

 

 

Works Cited:

Chances, Ellen. “Moscow Meets Manhattan: The Russian Soul of Woody Allen’s Films.” American Studies International 30.1 (1992): 65-77. JSTOR. Web. <http://www.jstor.org/stable/41279030>.
Meade, Marion. The Unruly Life of Woody Allen: A Biography. New York, NY: Scribner, 2000. Print.
New York Times. “Woody Allen.” New York Times Biographies. All Media Guide, 2010. Web. 2014. (http://www.nytimes.com/movies/person/79388/Woody-Allen/biography)

The Elusive Life of Isaac Babel

isaac_babelIsaac Babel lived a short and tumultuous life, flooded with questions of his Russian-Jewish identity, numerous love affairs, and above all, the desire for expression. His stories were more often than not built upon autobiographical experiences, from his memories of the pogroms in his childhood to his time serving in the Red Army. The tension between the individual and his inner world pitted against the surrounding environment permeates Babel’s works, for this was a tension he faced throughout his life. (Rubin, 10)

Babel left behind few traces of his life and work. What is worse, many of those books and autobiographical facts that he left behind have been heavily edited or are pure misinformation or rumor. It is important to keep in mind the time in which Babel was writing. He was a passionate, outspoken Jewish author, who was active in an ultra-censored, cautious country directed by an iron ideology and ultimately controlled by a brutal dictator.

Thus, Babel’s books, letters, drafts and unpublished manuscripts were destroyed after his execution. In addition, according to the Babel biographer Patricia Blake, Babel “failed…to take precautions to preserve his unpublished work” (Blake, 3). Furthermore, many of Babel’s works that are available today were “corrupted by censorship” (Blake, 4). Facts float around that are rumored to be true, but cannot be verified. One such fact, apparently claimed by Babel himself, is that he worked for “the Soviet Secret Police from October 1917 to 1930”. This is a strange claim, considering that the NKVD “was founded in August 1917” (Blake, 5).

The below chronology is based on facts gathered from multiple notable Babel biographers. I have included various rumors within the chronology and have demarcated them as such. Although much of what we know about Babel may be untrue, I believe it is still important to take rumors into account, for a grain of truth may lie within them.

Childhood:Isaac Babel as a schoolboy.

  • 1894: Born on June 30 1894 in Moldavanka, a poor region near Odessa
  • At a young age, he begins an extensive education that included English, French, and German, and private Hebrew lessons.
  • 1905: Yet, Babel did not and could not live the sheltered life of a student. The town to which his family moves, Nikolayev, faces pogroms in 1905. Many of Babel’s stories, especially those told from an innocent child’s point of view, are inspired by this raw reality.

Student Life:

  • 1911: He attempts to enter the University of Odessa in 1911, but is rejected because of quotas on Jews. (Freidin)
  • Instead, he enrolls in the Institute of Finance and Business Studies in Kiev. It is here that Babel wrote his first story, Old Shloyme, and meets his future wife, Eugenia Borisovna Gronfein. (Freidin)

Young Adulthood:

  • 1916: In 1916, Babel graduates university and re-locates to St. Petersburg. There, he meets Maxim Gorky, a writer and political activist. (Freidin)
  • Babel contributes sketches and stories to Gorky’s political, literary, and scientific journal Letopis (Летопись). The journal brings together authors philosophers who oppose nationalism and Wo001880rld War I. (Zakharova)
  • 1917: Babel volunteers for the Red Army on the Rumanian front for a short time. He fights alongside “uneducated Cossacks” and serves “under Commander Budenny”, both of who are infamous for initiating pogroms against Jews. (Rubin, 10)
  • In November, he returns to Odessa, where he decides to take the dangerous trip to Petrograd. (Freidin)
  • Once Babel reaches Petrograd, he joins the Cheka for a brief period, acting as a translator for their counter-intelligence department. (Freidin)
  • 1918: Babel authors numerous sketches that were published in Maxim Gorky’s anti-Leninist newspaper, Novaya Zhizn. This publication is then closed on August 6th. (Freidin)

Authorhood:

  • 1920: The Odessa Party Committee grants Babel the title of war correspondent. He is given the codename Kiril Vasilevich Lyutov. Babel is to spend the months of June through September on the Polish front with with Commander Budyonny’s Cavalry Army. (Freidin)
  • 1923: Babel publishes many of his famous Benya Krik stories. (Freidin)
  • 1923-24: Babel spends these years writing his Red Cavalry stories, influenced by his time on the front. (Freidin)
  • 1925: Babel publishes his first two stories from the child’s point of view. (Freidin)
  • 1925: Babel’s wife Eugenia moves to Paris. (Freidin)
  • 1925-1927: Babel has an affair with Tamara Kashirina. Their child, Mikahil, is born in July 1926. (Freidin)
  • 1926: Red Cavalry is published. Once these stories are published in English, Babel acquires international fame. (Freidin)
  • Commander Buddyony takes issue with the stories upon their publication. He continues to criticize and attack Red Cavalry for the rest of the 1920’s. (Freidin)

    Commander Budyonny

    Commander Budyonny

  • 1927: Babel writes a film script for Benya Krik. The film is quickly removed from circulation after its release. (Freidin)
  • 1927: Babel has a brief affair with E. Khaiutina, the future Mrs. Nikolai Yezhov. He then travels to Paris to see his wife. (Freidin)
  • 1929-30: Months after the the publication of Red Cavalry, Babel is criticized by Soviet authorities for inactivity. Thus, Babel journeyed to Ukraine in order to find inspiration for his stories. He is struck by the horrors of famine and collectivization. (Freidin)


The Beginning of the End
:

  • 1930: Babel is charged with giving an anti-Soviet interview to a Polish newspaper. He denies the interview, claiming that it was a fabrication. His requests to return to Paris are denied. (Freidin)

    Pirozhkova and Babel in 1936.

    Pirozhkova and Babel in 1936.

  • 1931: Babel resumes communication with E. Khaiutina. During this time, it is said that Evgeniia Solomonovna called “Babel three or four times a day during the Great Terror – or, more pertinently, during the Ezhovshchina – and waited for him outside his apartment in her chauffeured limousine.” (Blake, 7)
  • 1932: Babel is acquainted with Antonina Nikolayevna Pirozhkova, his second wife. They travel through the Caucasus in late 1932-33. (Freidin)
  • 1932-33: Babel is allowed to return to Paris. (Freidin)
  • 1934: At the First Congress of Soviet Writers, Babel openly wages criticism against the cult of Stalin. (Freidin)
  • 1935: Babel “establishes a household” with Antonina Nikolayevna Pirozhkova in Moscow. Their daughter, Lida, is born in 1937. (Freidin)
  • Antonina Pirozhkova, Babel's partner.

    Antonina Pirozhkova, Babel’s partner

    1936: Nikolai Yezhov takes Genrikh Yagoda’s position as NKVD head.

  • 1938: NKVD head Yezhov is replaced by Lavrenty Beria. After Yezhov’s arrest, he gave evidence that was used to indict Babel.
  • 1939: On May 13, Babel is arrested under the charge of spying for France and Austria. This charge was supported by testimony from Yezhov as well as two writers, Boris Pilnyak and Mikhail Koltsov. Apparently, Babel was arrested on the same day as former NKVD chief Yezhov’s wife, whom Babel also happened to have an affair with. (Blake, 5)
  • 1940: Babel is executed in Lubyanka prison on January 15. (Freidin)
  • 1948: There are rumors about Babel’s release from prison. (Freidin)
  • 1954: Babel is exonerated; his death certificate states that he died of unknown causes in 1941. His death certificate was “set forward fourteen months.” (Freidin)
  • According to Patricia Blake, falsifying the death date of a victim was a normal practice, done to conceal the fact that thousands were killed in the short span from 1937-38. Placing Babel’s death at 1941 caused it to appear as though he “died of natural causes over 10 years” (Blake, 8).
Isaac Babel's reported last words.

Isaac Babel’s reported last words.

Bibliography:

Blake, Patricia. “Researching Babel’s Biography: Adventures and Misadventures.” The Enigma of Isaac Babel: Biography, History, Context. By Gregory Freidin. Stanford, CA: Stanford UP, 2009. 3-16. Print.
Freidin, Gregory. “Isaac Emmanuilovich Babel: A Chronology.” (https://web.stanford.edu/~gfreidin/Publications/babel/babel_chrono_norton01.pdf) 10 Feb. 2001. Web.
Rubin, Rachel. “Introduction: Reading, Writing, and the Rackets.” Introduction. Jewish Gangsters of Modern Literature. Urbana: U of Illinois, 2000. 1-25. Print.
Zakharova, M. V. “Letopis (The Chronicle), journal.” Saint Petersburg Encyclopedia. (http://www.encspb.ru/object/2855694137?lc=en) Web. 10 Oct. 2014.