To write, one must read. To write well, one must read well. Which means: to read widely, to read with enthusiasm, to read for pleasure, to read with an eye for another's craft. – Joyce Carol Oates The writer studies literature, not the world. He lives in the world; he cannot miss it. – Annie Dillard
UNIT 1 NONFICTION
Week 1, February 11 — What is Creative Nonfiction? / Creating a Writing Practice
- On Writing— Joan Didion: Why I Write ; Virginia Woolf: Moments of Being from “A Sketch of the Past” ; Annie Dillard: Notes for Young Writers ; Ann Lamott: Shitty First Drafts ; Kurt Vonnegut: 8 Rules & Writing Advice ; Anton Chekov: Letter, February 23, 1892
- Donna Steiner: Exit
- Stephen Elliot: Where I Slept
- IN-CLASS—Stephen Dunn: Decorum ; Jo Ann Beard: In the Current ; Judith Kitchen: Who ; Yusef Komunyakaa: The Deck ; Jorge Luis Borges: Borges and I ; John Updike: Updike and I
- [Optional: Joan Didion: On Keeping a Notebook ; Cynthia Ozick: SHE: Portrait of the Essay as a Warm Body ; David James Duncan: “nonfiction=fiction” ; Philip Gerard: “What Is Creative Nonfiction Anyhow?” ; Janet Malcolm: “Forty-One False Starts” from Forty-One False Starts]
Week 2, February 18 — Researching Your Lives / Finding Subjects / Writing Place, Home, & Family
- Eliot Sloan: The Green Room
- Gabrielle Hamilton: The Lamb Roast
- Carol Lucci Wisner: Stonehenge and the Louvre Were Cool (handout)
- Rebecca Solnit: The Blue of Distance
- Rachel Carson: The Marginal World
- Mary Oliver: At Herring Cove
- Elliot Weinberger: Naked Mole-Rats
- Annie Dillard: Total Eclipse / Living Like Weasels
- Lia Purpura: On Coming Back as a Buzzard
- Matthew Power: Mississippi Drift or The Cherry Tree Garden
- [Optional: Roger Rosenblatt: Making Toast; Jo Ann Beard: Cousins; Joan Didion: Goodbye To All That; Bruce Chatwin: It’s a Nomad Nomad World; Barry Lopez: The Invitation; David Gessner: Learning to Surf; Virginia Woolf: A Street Haunting; Barry Lopez: The Naturalist; Jo Ann Beard: Werner; Rebecca Solnit: Open Road; Lia Purpura: There are Things Awry Here; Will Hunt: A Pilgrimage on the Sacred Road]
Week 3, February 25 — Writing Culture (Food, Art, Politics, Events)
- David Wong Louie: Eat, Memory
- Anthony Bourdain: Don’t Eat Before Reading This
- Jo-Ann Beard: The Fourth State of Matter
- Kiese Laymon: How to Slowly Kill Yourself and Others in America
- Cheryl Strayed: The Love of my Life
- David Foster Wallace: TBA
- Ta Nehisi-Coates: TBA
- [Optional: Ruth Reichl: The Queen of Mold; Anthony Bourdain: Food is Sex; Sallie Tisdale: We Do Abortions Here; George Saunders: The Braindead Megaphone; Andre Aciman: Intimacy / Parallax; John Jeremiah Sullivan: Violence of the Lambs; Orion’s 25 Most-Read Articles of the Decade: https://orionmagazine.org/2019/12/bestofdecade/]
Week 4, March 3 — Experimental Prose
- Jen Boully: The Body (handout)
- J. Iuppa: The Weather of Distance
- Ira Sukrungruang: Summer Days, 1983
- Jenny Price: 13 Ways of Seeing Nature in L.A.
- Donna Steiner: Elements of the Wind
- Justin Phillip Reed: Killing Like They Do in the Movies
- Robert Moor: How to Cross a Field of Snow
- Margaret Nelson: excerpt The Argonauts
- Lia Purpura: Glaciology
- Mary Ruefle: selected
- Ann Carson: Kinds of Water: An Essay on the Road to Compostela / Short Talks
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UNIT 2 FICTION
Week 5, March 10 — the Real vs. the Fantastical / Microfictions
- John Edgar Wideman: Stories
- Gordon Jackson: Billy’s Girl
- Ron Carlson: Reading the Paper
- David Ordan: Any Minute Mom Should Come Blasting Through the Door
- Sandra Cisneros: Bread
- Carmen Maria Machado: Mary When You Follow Her
- Amy Hempel: Housewife
- Lucy Corin: Miracles
- Deb Olin Unferth: Likeable
- George Saunders: Sticks
- Aimee Bender: The Rememberer
- Judy Budnitz: Dog Days
- Haruki Murakami: The Second Bakery Attack
- [Optional: Flannery O’Connor: The Nature and Aim of Fiction; Haruki Murakami: Super-Frog Saves Tokyo]
Week 6, March 17 — Characters
- Flannery O’Connor: Good Country People
- James Joyce: Eveline
- Kate Braverman: Tall Tales From the Mekong Delta
- [Optional: Alice Munro: TBA; James Baldwin: Sonny’s Blues; Toni Morrison: Recitatif]
SPRING BREAK
Week 7, March 31 — Voice / Point-of-View / Dialogue
- Jamaica Kincaid: Girl
- Raymond Carver: What We Talk About When We Talk About Love
- Amy Hempel: In the Cemetery Where Al Jolson is Buried
- Ann Beattie: The Burning House
- Junot Diaz: The Cheater’s Guide to Love—text, audio
- [Optional: Toni Cade Bambara: Gorilla, My Love; Junot Diaz: TBA; Carmen Maria Machado: TBA; Denis Jonson]
Week 8, April 7 — Form
- Lydia Davis: Five Stories
- Susan Minot: Lust
- Donald Bartheleme: The School (w/George Saunders: The Perfect Gerbil)
- Tim O’Brien: Speaking of Courage (w/1st draft)
- [Optional: Donald Bartheleme: TBA; David Foster Wallace: sel. Brief Interviews With Hideous Men; John Edgar Wideman]
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UNIT 3 POETRY
Week 9, April 14 — What is Poetry? / Prose Poems / Narrative vs. Lyric Poems / Tone-Speaker-Voice / Diction and Syntax / Images-Metaphors-Conceits
- On Writing—Robert Frost: The Figure a Poem Makes; Audre Lorde: Poetry is Not a Luxury; Dana Gioia: Can Poetry Matter?; AR Ammons: A Poem is a Walk; [Optional: Kim Addonizio & Dorianne Laux” “The Energy of Revision”; Mary Ruefle: sel. Madness, Rack, and Honey]
- What is Poetry?—Marianne Moore: Poetry (1967 version) / Poetry (1919 version); Rainer Maria Rilke: Archaic Torso of Apollo (w/Mark Doty interview); Ezra Pound: In a Station of the Metro
- Prose Poems—Robert Hass: A Story about the Body; Mary Oliver: Wings; Carolyn Forche: The Colonel; Fanny Howe: Everything’s a Fake; Nicole Sealey: Even the Gods; Lyn Hejinian: sel. My Life
- Narrative Poems: Robert Frost: Out, Out; John Montague: The Trout; Elizabeth Bishop: The Fish; Mary Oliver: I Found a Dead Fox; Robert Hass: On Squaw Peak
- Lyric Poems—William Carlos Williams: Danse Russe; Wallace Stevens: Of Mere Being / Final Soliloquy of the Interior Paramour; James Wright: A Blessing / Lying in a Hammock; Elizabeth Bishop: Casabianca / Chemin de Fer; Mark Strand: Keeping Things Whole; Robert Hass: Meditation at Lagunitas; Natalie Diaz: My Brother My Wound; Seamus Heaney: Postscript; Max Ritvo: Poem to My Litter; Robin Coste Lewis: Summer; Matthew Rohrer: Credo / Poem; Keetje Kiupers: Across a Great Wilderness without You; Kenneth Koch: In Love with You; Sharon Olds: I Go Back to May 1937 / San Francisco; Ross Gay: Love, I’m Done With You; Richard Siken: Litany in Which Certain Things Are Crossed Out / Detail of the Woods; Terrance Hayes: The Blue Terrance; Ocean Vuong: Self-Portrait as Exit Wounds / Someday I’ll Love Ocean Vuong; Ada Limon: How to Triumph Like a Girl; Donika Kelly: Fourth Grade Autobiography; David Baker: Checkpoint; Robert Creeley: For Love; Mark Doty: The Embrace / Charlie Howard’s Descent) (ETC. Franz Wright, Carl Phillips, James Merrill, Charles Olson, Adrienne Rich, Charles Simic, Dean Young, Jack Gilbert, Elizabeth Bradfield, Jennifer Chang)
Week 10, April 21 — Forms / Breaking Forms / Meter & Rhythm / Soundscapes
- Sonnet—Gwendolyn Brooks: the rites for Cousin Vit; Kim Addonizio: First Poem For You (compare Shakespeare sonnet 55); Claude McKay: America; Robert Hayden: Those Winter Sundays; Terrance Hayces: sel. American Sonnet For My Past & Future Assassin (I lock you / Probably twilight / Inside me) ; Danez Smith: The 17 Year-Old & the Gay Bar / Crown
- Sestina—Elizabeth Bishop: Sestina; Kim Addonizio: Sestina of the Alcoholic Daughter
- Villanelle—Elizabeth Bishop: One Art (w/drafts); Theodore Roethke: The Waking
- Epistle—Keetje Kiupers: Spring Letter from the South; Elana Bell: Letter to Jerusalem; Kim Addonizio: Dear Reader
- List—Richard Jackson: Things I Forgot to Put on My Reminder List; Morgan Parker: If You Are Over Staying Woke
- Blank Verse—Robert Frost: Directive / Birches; Wallace Stevens: Sunday Morning
- Ballad—WH Auden: As I Walked Out One Evening
- Hymn—Li-Young Lee: A Hymn to Childhood; AR Ammons: Hymn; Justin Phillip Reed: Carolina Prayer
- Ekphrastic—Larry Levis: Ocean Park #17, 1968: Homage to Diebenkorn; Peter Balakian: Warhol / Madison Ave / 9-11
- Pantoum—Randall Mann: Pantoum; Laure-Anne Bosselaar: Stillbirth; Peter Meinke: Atomic Pantoum
- Elegy—Frank O’Hara: The Day Lady Died; Jericho Brown: Another Elegy; Danez Smith: not an elegy for Mike Brown
- Ode—Pablo Neruda: Ode to a Large Tuna in the Market
- Ghazal—Patricia Smith: Hip-Hop Ghazal; Jericho Brown: Hustle
Week 11, April 28 — Experimental Poetics / Political Verse / Diction & Syntax / Hip Hop / Hybrid, Genre-Crossing, and Multi-Media Texts
- Gertrude Stein: If I Told Him, A Completed Portrait of Picasso
- Langston Hughes: Po’ Boy Blues
- Gwendolyn Brooks: Queen of the Blues
- Danez Smith: a note on the body / alternate names for black boys
- Jean Valentine: God of rooms
- John Ashbery: Some Trees
- CD Wright: Crescent
- Monica Youn: Drawing for Absolute Beginners
- Charles Reznikoff: Autobiography: New York
- Daryl Hine: sel. &: A Serial Poem
- Quan Barry: night soil man
- Lorine Niedecker: [I married]
- Rae Armantrout: And / Apartment / Bees
- Harryette Mullen: [up from slobbery] / [it’s rank it cranks you up] / Black Nikes
- Blackstar: Respiration
Week 12, May 5 — Etc.
- TBA
FINAL PROJECTS DUE