-Web Sites

La grammaire française (only accessible to Middlebury College users)

French Grammar Games for Grammar Geeks  (Open Educational Resource)

-Articles / Book Chapters

“Parodying the Transatlantic Romance: Julie Delpy’s 2 Days in Paris.” Nouvelles Francographies, 4.3 (Actes du colloque, vol. II) (2013): 119-133.

“Peppermint Soda/Diabolo menthe.” Directory of World Cinema: France. Ed. Tim Palmer and Charlie Michael. Bristol, UK/Wilmington, NC: Intellect, 2013. 78-80.

“My New Partner/Les Ripoux.” Directory of World Cinema: France. Ed. Tim Palmer and Charlie Michael. Bristol, UK/Wilmington, NC: Intellect, 2013. 267-268.

“Nostalgia and Modernity in Two Recent Paris Films.” Quarterly Review of Film and Video 30.1 (2013): 16-24.

“Lucie Aubrac: A Resistance Heroine from Page to Screen.” Literature/Film Quarterly 40:2 (April 2012): 109-126.

“Filming France’s Colonial Past: Women ‘Wearing the Pants’ in Outremer and Indochine.” Studies in French Cinema 12.1 (2012): 59-74.

“Films français et remakes américains.” French Review 82.5 (April 2009): 962-980.

“Trois hommes et un couffin.” The Cinema of France. Ed. Phil Powrie. 24 Frames. London: Wallflower, 2006. 175-183.

“Patrice Leconte’s Ridicule – Women in the political sphere: Transforming memory into modernity?” Studies in French Cinema 3.3 (2003): 137-147.

“Screening France.” French Politics, Culture and Society 21.2 (Summer 2003): 81-94.

“Cruel Intentions: Adaptation, Teenage Movie, or Remake?” Literature/Film Quarterly 30.4 (2002): 279-286.

“Emotion, Modernization, and Female Emancipation in Patrice Chéreau’s Queen Margot.” Quarterly Review of Film and Video 19.3 (July-Sept. 2002): 223-235.

“La Religieuse de Diderot et la marquise de Laclos.”French Review 75.6 (May 2002): 1194-1212.

“Re-making History and Cultural Identity: From The Return of Martin Guerre to Sommersby.  Film Criticism XXVI.1 (Fall 2001): 2-24.

“L’Adaptation cinématographique dans le cours de littérature française.” French Review 72.5 (April 1999): 839-852.

“De la lettre à l’écran: Laclos scénariste d’avant-garde.” Interfaces: Image/Texte/Langage (Université de Dijon) 14 (Juin 1998): 215-229.

“L’éducation des enfants selon Montaigne et Plutarque.”  Bulletin de la Société des Amis de Montaigne 41-42 (Juillet-Décembre 1995): 46-51.

-Book

De la lettre à l’écran: Les Liaisons dangereuses. Amsterdam: Rodopi, 2000.

Reviewed by Alan Singerman. Eighteenth-Century Fiction 14.2 (January 2002): 223-225.
Reviewed by Josée Lauersdorf. The French Review 76.6 (May 2003): 1239-1240.

-Book Reviews

Hayward, Susan. French Costume Drama of the 1950s: Fashioning Politics in Film. Chicago: University of Chicago Press, 2010. French Review 85.4 (Mar. 2012): 738-739.

Oscherwitz, Dayna. Past Forward. French Cinema and the Post-Colonial Heritage. Carbondale: Southern Illinois University Press, 2010. French Review 85.2 (Dec. 2011): 45-46.

Harris, Sue. Bertrand Blier. New York: Manchester University Press, 2001. Quarterly Review of Film and Video 20.4 (Oct.-Dec. 2003): 277-281.

-Translations

Ruoff, Jeffrey, and Kenneth Ruoff.  “Un réalisateur en marge: Hara Kazuo et ses ‘documentaires d’action’.”  Documentaires 16 (Fall 2000): 91-108.

Truffaut’s articles in Dixon, Wheeler W.  The Early Film Criticism of François Truffaut.  Indiana University Press: Bloomington, 1993.