•Conferences

“Gamifying your Curriculum with H5P and Quizlet” with Shannon Spasova. Practices and Tools for Online Language and Culture Teaching, Zoom Workshop, Middlebury, May 2020

Panelist: “Open Education/Open Educational Resources.” Academic Roundtable, Middlebury College, December 2019

Panel Chair: “Urban Experiments: Space, Trauma, Spectacle.” Society for Cinema and Media Studies Conference, Chicago, March 2017

“Paris on Film.” Literature/Film Association Conference, Rowan University, Glassboro NJ. October 2016.

“Parodying Paris on Film and the Transatlantic Romance: Julie Delpy’s 2 Days in Paris.” International and Global Studies Colloquium Series, Middlebury College, Spring 2014.

“Evocation and Parody in Julie Delpy’s 2 Days in Paris.” SPFFA (Société des Professeurs Français et Francophones d’Amérique) Biennial Colloquium, New York University, April 2013.

Panel Chair: “The Transnational and Diasporic.” Society for Cinema and Media Studies Conference, Boston, March 2012.

“Nostalgia and Modernity in Recent Paris Films.” Society for Cinema and Media Studies Conference, Los Angeles, March 2010.

“Women at War & the French Heritage Film: Lucie Aubrac from Page to Screen.” Society for Cinema and Media Studies Conference, Philadelphia, March 2008.

Gender and French Cinema. Panel Chair.
“Filming France’s Colonial Past on the Way to Political Parité: Women ‘Wearing the Pants’ in Outremer and Indochine.” Society for Cinema and Media Studies Conference, Chicago, March 2007.

“De Paris à Hollywood: Les remakes américains de films français.” PAMLA Conference, University of Riverside, CA, November 2006.

Panel Chair: “French Theater, Novel, and Film.”Annual Conference of the Northeast American Society for Eighteenth-Century Studies, Burlington, Vermont, November 2004.

“Du roman au film: Les nuits fauves de Cyril Collard.” PAMLA Conference, Scripps College, CA, November 2003.

“Eighteenth-Century Women Through a Twentieth-Century Lens: Patrice Leconte’s Ridicule.” Annual Conference of the Northeast American Society for Eighteenth-Century Studies, New York City, October 2002.

“Patrice Chéreau’s Queen Margot: A ‘liberated and modern’ woman?” Faculty Lecture Series, Middlebury College, April 2002.

“Screening France.” Déjà Views: How Americans Look at France, Middlebury College Colloquium, November 2001.

“History on Film and Cultural Identity: The Return of Martin Guerre and Sommersby.” Society for Cinema Studies Conference, Washington, D. C., May 2001.

“Emotion and Modernization in Queen Margot.” Conference on Literature and Film, Florida State University, Tallahassee, Florida, January-February 2001.

Cruel Intentions: Adaptation or Remake?” Annual Conference of the Western Society for Eighteenth-Century Studies, University of Nevada, Las Vegas, February 2000.

“Epistolarité et narcissisme: Les Liaisons dangereuses.” American Society for Eighteenth-Century Studies Annual Meeting, Milwaukee, Wisconsin, March 1999.

“Rhétorique épistolaire: la religieuse de Diderot et la marquise de Laclos.” Annual Conference of the Northeast American Society for Eighteenth-Century Studies, Williamstown, Massachusetts, September 1998.

Les Liaisons dangereuses from Page to Screen: A Journey Through Time, Culture and Language.” Annual Conference of the Northeast American Society for Eighteenth-Century Studies, Worcester, Massachusetts, September 1996.

“From Epistolarity to Film: Les Liaisons dangereuses and La Religieuse.” European Studies Conference, Omaha, Nebraska, October 1995.

“Film Adaptation in the Literature Class.” Central States Conference on the Teaching of Languages, Denver, Colorado, April 1995.

“Du rôle de la fenêtre dans quelques écrits de Duras.” Missouri Romance Languages & Literatures Conference, Columbia, Missouri, May 1992.