Works Cited

Black Indians: An American Story.Dir. Jones, James Earl, and Kanopy (Firm). Kanopy Streaming, 2014.

Boskin, Joseph, and Joseph Dorinson. “Ethnic Humor: Subversion and Survival.” American Quarterly 37.1 (1985): 81-97. Web.

Brooks, James F. “Introduction.” Confounding the Color Line: The Indian Black Experience in North America. Ed. James F. Brooks. N.p.: U of Nebraska, 2002. 1-18. Print.

Dean, Greg. “The Secrets of Joke Structure.” Stand-up Comedy Workbook. San Francisco: San Francisco Comedy College, 1996. 1-14. Print.

Deloria, Philip Joseph. Indians in Unexpected Places. Lawrence, Kan.: U of Kansas, 2004. Print.

Johnson, E. Patrick. “Black Performance Studies.” Performance and Politics. N.p.: n.p., n.d. 446-62. Print.

Johnson, E. Patrick. “Manifest Faggotry.” Appropriating Blackness: Performance and the Politics of Authenticity. Durham and London: Duke UP, 2003. 61-75. Print.

King, C. Richard “Estrangements: Native American Mascots and Indian-Black Relations.” Confounding the Color Line: The Indian Black Experience in North America. Ed. James F. Brooks. N.p.: U of Nebraska, 2002. 346-370. Print.

Mintz, Lawrence E. “Standup Comedy as Social and Cultural Mediation.”American Quarterly 37.1 (1985): 71-80. JSTOR [JSTOR]. Web. 12 Oct. 2015.

Morris, Amanda Lynch. “Native American Stand-Up Comedy: Epideictic Strategies in the Contact Zone.” Rhetoric Review 30.1 (2010): 37-53.Taylor & Francis Online. Web. 11 Dec. 2015.

Phillips, Valerie J. “Epilogue: Seeing Each Other through the White Man’s Eyes.” Confounding the Color Line: The Indian Black Experience in North America. Ed. James F. Brooks. N.p.: U of Nebraska, 2002. 371-386. Print.

Watkins, Mel. “Folklore and Street Humor.” On the Real Side: Laughing, Lying, and Signifying: The Underground Tradition of African-American Humor That Transformed American Culture, from Slavery to Richard Pryor. N.p.: Simon & Shuster, 1994. 444-78. Print.

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