Some Kind of Place: Grover’s Corners, New Hampshire
The people who live in this fictional village are unsentimental, hard working, and full of love, though they don’t always have the tools to express it. As Wilder wrote in the preface to the 1957 collection Three Plays, Grover’s Corners is a lens in which “to find value above all price for the smallest events in our daily life.” The door is always open to visitors.
Grover’s Corners has been my benchmark to measure time and growth. I first played Emily at summer camp on Lake Champlain; it was my first big lead in a play, the role gave me the confidence to pursue my love for acting. Ten years later as a professional in a production in Baltimore, Maryland, I was made aware of the pressure of the iconic role and my own shortcomings as a developing actress. Now married, nearing 30, and revisiting the play this past summer in the acting ensemble at the Bread Loaf School of English, I found Grover’s Corners to be a new place, different from the one I knew as a teenager. It no longer felt like a physical location, but rather a fragile moment in time—our moment in time. It creates community by showing us community, and you don’t need to be from small-town New England to understand it.
Wilder wrote: “The climax of this play needs only five-square feet of boarding and the passion to know what life means to us.” What happens on those five-square feet is funny, awkward, brutal, optimistic, and forgiving. That world—Grover’s Corners—is home to me. It is a home created by the artists and the audiences who visit it. In this imagined world, I have been most fully myself. I find remnants of it in Brooklyn, exchanging smiles with a stranger, biking through the park, sharing dinner at home with my husband and friends. It’s a place that allows reflection and growth.
It can happen anywhere or anytime—as long as you leave room for hope.
Julia Proctor ’06 is an actress living in Brooklyn with her husband, Phil Aroneanu ’06. For more on Julia, visit www.juliaproctor.com.