Bringing the Streetcar to Life
Here’s the latest update from MiddMag’s Bread Loaf student-on-the-scene Sherry Brown. (Read the first installment here.)
In her course this summer on Tennessee Williams, Sherry’s getting to see first-hand how a play is read, taught, studied, rehearsed, and ultimately performed by a professional troupe of actors when A Streetcar Named Desire opens there later this month, starring Equity actors Elizabeth Bunch, Angela Brazil, and Chris Hutchison (L-R, below). Performances are Wednesday, July 27, through Saturday, July 30, at 8 p.m. in the Burgess Meredith Little Theater on the Bread Loaf campus. For tickets call the Middlebury College Box Office at 443-2771.
The course Sherry’s taking is called “Tennessee Williams at 100: How to Take A Streetcar Named Desire,” and professor Michael Cadden has invited several of the Equity company-in-residence actors into the classroom to perform and discuss parts of the plays they are reading. Director of the Program in Theater Alan MacVey (at right below, directing Hutchison and Bunch) has held open rehearsals throughout the summer, and Cadden asks his students to attend several of these as well.
Here are some thoughts and observations from Sherry after attending one of those rehearsals:
“Watching the Streetcar rehearsals as Alan MacVey and the actors develop the characters has been quite an experience. I had expected that it would be educational and interesting on an intellectual level. It certainly has been that; however, I have been taken by surprise at the depth of my emotional response to the characters. When I read the play, I didn’t particularly like the characters – it was easy to judge them. As the actors bring the characters to life, however, I’m struck by the fact that I’m not so different from them after all. Like Stanley, I have hurt people I love. Like Mitch, I have been awkward and ham-handed in relationships with people, and like Blanche, I have lied to protect myself. The immersion in Streetcar has been very intense.
“As well as attending rehearsals and Michael’s class, we have viewed the Streetcar movie and teleplays. This very close reading of the text and attention to the various interpretations of the characters has opened up the play to me in an unexpected way.
“Each time I read or see a scene performed, I participate in the creation of that character anew. This is an understanding that I hope to bring to my students in our study of drama in the classroom. There is not one definitive Blanche, or Hamlet, or Willy Loman. The creation of a character happens in the space between the actor’s portrayal, the staging of the play, and the interpretation of the audience member.
“That said, I am looking forward to stepping away from Streetcar for a little while. Although we have not exhausted all of the nuances and interpretations of the play, it has exhausted me! We will be spending some class time discussing Cat on a Hot Tin Roof, before returning to Streetcar for the final Bread Loaf production.”
Stay tuned for the third installment when we’ll hear from Sherry after the final performance of A Streetcar Named Desire from Wednesday, July 27, through Saturday, July 30, at 8 p.m. in the Burgess Meredith Little Theatre on the Bread Loaf campus.