Tags » landscape

 
 
 

Atwater Construction-Turf Battle

Categories: Midd Blogosphere

Doing large construction projects at Middlebury comes with a unique challenge, that of time. Most colleges and universities have various programs running throughout the summer, like summer camps and classes. Middlebury, though, has an entire college, the Language School. This intensive 6-9 week program requires the full attention of the students, so we in Facilities try not to tear the whole place up. Therefore, most of our large projects, like the Atwater landscape, we schedule for the couple of weeks from the end of August to the start of Fall Semester.

So Turf Battle begins. We’re winning, by the way, turf tends to lose when faced with an excavator. I will admit its been quite an experience. Most landscape restorations I’ve done at Middlebury are all uphill-starting from the beginning to the very end, the continual process is one of improvement, the next day looking better than the first.

The Atwater landscape at present looks like hell.

Fear not. We’re laying a good foundation, and things will come together quickly. Much of what we’ve done is laying a good foundation (literally, in some cases) for the landscaping on top. I took a bunch of pictures last week to share on the progress.

One of the first parts was the renovation of the ADA ramp to Atwater Dining Hall. The old ramp, made of blacktop, was ripped out, and after regrading, replaced with concrete, now meeting proper codes for width, pitch, and a flat landing area at the bend.

This sidewalk, on the west side of Allen Hall, was added. To the left of the sidewalk in the triangle formed by the walks will be a large planting bed.

Another view of the new walk. This area previously was all crushed stone, put down to prevent mud, as the area was so heavily trafficked that no grass could grow.

This was the beginning of the patio, after layout. The grades here are tricky-the natural lay of the existing ground wanted to send water right toward the building. This is where the excavator came in handy.

View of the patio looking north. This type of patio is tricky to pour and stamp. The concrete is pre-colored in the truck, then stamped on site with what for all intensive purposes look like giant rubber stamps. The process takes a while, so only a square a day can be done, lest the concrete set up before it all gets stamped.

A freshly poured corner piece. We kept the sidewalk through the center of the patio looking like sidewalk in order to keep it’s function. Hopefully tables and chairs won’t be placed on the sidewalk to keep the way clear for access.

A view of the berm looking north. The berm is made of topsoil removed from all the sidewalk and patio excavation, so is a sandy/rocky mix. The berm will be topped with 6″ of good topsoil, to help the trees and lawn that will be planted there. It is hard to get a feel for the size of the berm on pictures, but suffice it to say it is quite large in person.

Here is a view of the berm looking south. The rise at present is pretty close to 4′

One of my favorite parts of the project, not showing up well with my weak cell phone camera. This view is from the top of the berm looking towards Chipman Hill. While during the design competition we’d discussed saving the view of the hill, what surprised me that I hadn’t thought of is the new perspective of the Atwater Dining green roof afforded by the higher topography of the berm.

The project won’t be done by the time the semester begins. Our goal is to have most of the loud construction finished shortly. There are a couple of squares of patio to finish, as well as the two sidewalks leading west from the patio. The next step, which should begin this week, is the planting. We’ll be starting with the planting around Atwater Dining, and will expand out from there as other pieces of the project fall into place.

 

Summersweet

Categories: Midd Blogosphere

Memories of first loves can sneak up, then slam into the consciousness, triggered, perhaps by the sound of a song in a car at a stop light, the sight of a certain color hair, or, most strongly, a scent slipping into your brain upbiden.

For me, smell. Summersweet may well be my first plant love. The unique scent reminds me of a Connecticut childhood, wandering in the woods mid-summer, and smelling the spicy flowers for half a mile or more before coming upon the colony of undergrowth, sometimes a half an acre in size. Blooming now, and in fact for most of July as well, the plant sports long 3-4″ spikes of white (or pink, we’ll get to that) flowers, with a fragrance of, oh, vanilla and cloves together. Maybe that doesn’t even describe it, but is as lovely as it sounds.

Others know it as Sweet Pepperbush, for its small seedheads that look like little peppercorns, but without the taste. The latin is the rather unwieldy name of Clethra alnifolia, and is a native shrub to the east coast, from Florida all the way north to Maine and Nova Scotia. In fact, the only northeast state where Clethra is not found seems to be Vermont. Its marginal hardiness in zone 4 probably prevents it being found wild in our state, but this certainly doesn’t preclude use in the landscape.

Clethra alnifolia 'Compacta'- Summersweet

Given the bright audacity of so much in the late summer landscape, the subtlety of Clethra in bloom is a refreshing change of pace. It comes from a forest understory provenance, so they naturally do best in shade, and prefer some moisture. Smart gardeners are drawn to shade in the heat, and while the hostas are looking tired and beat, summersweet glows bright and fresh. My lone plant at my house is in a dry shade, but the species seems to grow well in sun given sufficient moisture.

Even the leaves stay clean and lustrous all season, in various shades of mid to an almost black green, with a slight sheen on top. Fall brings a bright yellow gold, holding late in the year. Full grown plants range from 4-8′ tall, depending on moisture, and tend to be wider than tall owing to its suckering nature, sending new plants up from the roots.

Yes, by all means, dig those suckers up and pass them to friends you like.

Michael Dirr, in his Manual of Woody Landscape Plants, writes of seeing Clethra next to a water feature while shopping at L.L. Bean in Freeport, and “I got so excited I amost fell in taking photographs. L.L Bean is a terrific company plus they know their plants.” He raves on “if a retailer says he/she cannot find Clethra tell them Dirr said it is one of the easiet plants to grow at the commercial and garden levels and excuses will not be tolerated.”

In my 1990 copy Dirr lists 3 cultivars, and my 2009 copy over 25. I’ve grown some, and have opinions. The marginal hardiness of the species means some may not grow quite as well as others. A popular cultivar, Hummingbird, while a gorgeous dwarf at only about 3′, was discovered by Fred Galle in Northern Florida, and suffers from severe dieback in our northern state.’Hummingbird’ can also succumb to a nearly unforgivable genetic floppiness, which hopefully the sibling ‘Sixteen Candles’ has not inherited. I prefer ‘Compacta’ for it’s better hardiness- it was found in Tom Dilatush’s brother’s garden, the seed transported from the New Jersey Pine barrens in some leafmold-although this is a harder find in a garden center,.

Pink is another color worth persuing in the Clethra cultivar world. Ignore ‘Rosea’ and ‘Pink Spires’, both hinting of a light pink, but barely blushing, and look for ‘Ruby Spice’, a sport off of a Pink Spires discovered at Broken Arrow Nursery in Connecticut. The rich rose red color holds throughout its entire bloom cycle, even in the heat of August.

Ruby Spice Summersweet

So why isn’t this just grown everywhere? As a plant for sale, Summersweet suffers several minor flaws that drove us crazy back in my garden center days. One is the fact it blooms late. While I can argue until I’m blue in the face that Clethra is integral to Any Garden, I was generally talking to myself, not customers, in the dog days of July and August, and our September shoppers were lured instead by the cheap thrills of red leaves and pumpkins. Springtime brought another headache. The species is very late to leaf out and show growth. So late, in fact, I’d taken to warning customers to not give up on the plant until the fourth of July, after too many experiecnes of seeing live plants return “dead” in May, an irate customer wanting their refund. They grow out of that. The plant, not the customer.

And when it does leaf out, it may leaf out low on the branch, suffering dieback. This seems to also happen to younger plants, although even my 10 year old plant still does this to some extent. The late bloom follows a long, late growing season, so this tender new growth may not have sufficent time to harden off before the Vermont winter. The plant blooms on new wood, so any dieback (or spring pruning) will not decrease flowers.

I’m sticking Summersweet everywhere I can on campus. Compacta is next to the main door at Emma Willard, tucked against the north side of the building. Ruby Spice is at the lower door. More plants are at Battell, and in a new planting in front of Pearson Hall. Another cultivar, Sherry Sue, sporting bright red stems and a large size, is planted on the north side of Axinn, where the last two winters have been a little tough on them, but I’m still rooting for it.

Annuals in the Landscape

Categories: Midd Blogosphere

A couple of months ago I’d found myself up in Burlington. I’d been planting some of the flower beds on campus, so annuals were on my mind. We (miraculously) got a place to park right outside the store, and I jump out. Looking towards the road, I see an abomination of an annual planting, one of the cliches in the modern landscape, the sign planting. I’ll let the picture do the talking here. (click on all the pictures to view a larger size)

I’m not an expert, but I will admit to an opinion or two. Granted, planting annuals commercially, on a large scale in public places, is somewhat trickier than it appears. But it seems like so many people are lousing it all up. So over the past month or so I’ve been taking notes on what makes successful flower plantings, and, after crossing off the bits that made me sound like a cranky old guy,  I’ve come up with some guidelines on how to make annual plantings that matter. Like all things, you’ll probably read some that apply to all sorts of plantings, even if you never find yourself with a 10′ by  50′ bed to fill with color.

1. Consider your audience.

Where are people viewing your planting? This is the very first step to consider before planting. Gardens can be viewed in very different ways, depending on where the viewer is located. Like the flagpole planting above. I count 6 kinds of flowers mashed together. The viewer for this garden? Drivers and passengers on Dorset Street. The viewer here is driving at 30 mph. It’s not a time to be subtle. The myriad of different colors in a small area at best look like a greenhouse just threw up on the lawn and, at worst, won’t even be seen.  Scale is important too-what’s the backdrop? Here’s another example.

I count five of six kinds of flowers here, kinda mish-mashed together in about 3 feet. It’s a nice combination, certainly something I wouldn’t have come up with (too subtle for my outlandish guy taste), and looks nice while walking right next to it. But look at it in the context of the rest of the landscape-

Can you even see the subtle pinks, blues and yellows? Or is the scene dominated by the giant yews, and the annuals have lost the battle?

Take this better example, the front of a flower border in a formal backyard setting. The masses of flowers, while pretty when up close, are still beautiful from a distance, in this case, the back porch and sitting area where most functions take place.

2. Buy larger.

I fully realize it’s 90 degrees outside right now. That’s why I’m inside writing. But to a plant, summer in Vermont is pretty short. Why wait? Particularly on large plantings. Go ahead and treat yourself to larger plants, maybe annuals that come in 4″ pots. They are in bloom right when you plant them, look like something immediately. The little plants from 4 and 6 packs just look silly out in the landscape, and take a month or so to start looking like anything. Save them for filler in your landscape, or the vegetable bed. This is some lost looking 6 pack flowers in the midst of some large perennials, taken about a month ago. They still look a little lost even now.

3. Buy more of less.

This relates to what we’ve already discussed up above-planting large groups of plants to make a statement. I will admit to that heady spring rush, the first trip through the greenhouse when everything looks so vibrant and new after snow all winter. Resist that temptation to buy one of everything. More impact can be had from massing a couple of types of plants together.

And when you fail, you can fail big. Like this mass planting of a large leaved red Oxalis planted in front of Proctor hall last year…

4. Avoid straight Lines.

Quite a while ago on an estate in Charlotte I planted a spectacular row of peonies. My memory says the line stretched for hundreds of feet, so it was probably about 50. They started to fill in great, flower all about the same time, and was beginning to look like the hedge we intended. After a couple of years, a water line broke in January directly underneath the line. We dug the peonies (they weren’t screaming, but I thought I saw the roots shivering), fixed the line, and planted them back. To this day, the dug plants are a little smaller, and the hedge dips a half of a foot where they are.

Staight lines are stressful. Ask anyone that has a boxwood hedge. They cower in fear that some random car will plow through the line. What if one or two of the flowers die? You’re looking at a hole all summer long. Maybe you can live with that.

5. Read the tags that came with the plants.

There are hundreds of varieties of annuals. The goal of growing them in a greenhouse is to get them all saleable for the end of May, so they need to fill out the pot. So yes, they all look about the same size. What you may not know is that some had to be started in March to look that big (geraniums), while others may have been started only a month or so ago (Bacopa), and still others may have been thrown on the greenhouse floor, stepped on a couple times, deprived of water, cursed at, and thrown in the pot last week so they don’t get too large too fast (petunias). One of my favorite flowers, Anagalis, looks small and dainty in a four inch pot, cause they don’t really like greenhouse life. The tag recommends a 14-20″ spacing, and they indeed grow all of that. You wouldn’t know it looking at them in May. Go look at the front of Emma Willard now, though. It looks like this-

6. Ignore the tags.

Some companies are better with their tags than others. Of course, they are looking to sell more plants, so spacing may get fudged a little bit. Some companies, though, are totally inexcusable. Proven Winners, for example. One of my standards in planting are Supertunias, a new hybrid of Petunias that spread quickly with large flowers in nice shades that don’t require much fuss (trimming, deadheading). An average Supertunia at Middlebury gets spaced 2′ apart, and they are still touching in a month. Even the ones where the tag says 6-10″ spacing.

Maybe they mean in a pot.

But don’t get too worked up about spacing. And please don’t use a tape measure. I can remember passing by a landscaper in Shelburne lining a sidewalk in front of a funeral home with two kinds of perennials, both spreaders (that’s a nice way of saying invasive, one of them was an artemisia.) He was out there with a tape measure, moving each plant a quarter inch this way or that, until they were just right. Within a month, they were filled out. The next year, the plants were all mushed together. Cound’t tell they were perfect anymore.

7. Use perennials and shrubs.

Annuals are expensive. And they don’t come back. And while large beds are nice, and massing flowers makes the most impact, budgets don’t always allow. So selective use of perennials and shrubs can fill in a lot of space and still give a flower garden effect.

Here’s a good example from a bed on Court Street-notice the Shasta Daisies in the center of the bed. That’s a good choice, as they bloom in the middle of the summer, and, with one deadheading (see below) they will rebloom in the fall. Even not in bloom, they stay an attractive green providing a nice backdrop.

Another example is in front of the Johnson Art Building. This is a large bed, in an area of campus that desperately needed a splash of color. Planting this bed strictly in annuals would be cost prohibitive, and a bear to maintain, so we planted the center. Sticking with the bright color idea, that’s a Bloodgood Japanese maple in the center, with a gold Juniper at it’s base, and a matching set of a dwarf Blue Spruce, flanked by a dark blue Salvia. It’s enough of a color palate that we aren’t hemmed in each year in color choice.

It’s tough to see in this picture, but the gold Juniper is offset , slashing diagonally across the bed. This gives four zones in the bed, a large and a small, so we can can go with two different color schemes and not have them clash. Pink, peachy, and purple on one side, and then golds and reds on the other.The blue spruce is the separator between the two.

8. Take care of your plants.

I’m a firm believer in tough love. I water new landscape plantings infrequently (water less, but more at one time). Annuals, though, live a coddled life in the greenhouse, with water and fertilizer daily. Taking them from an oreo and pop tart diet to the harsh realities of real soil can be difficult for them, like learning to do your laundry freshman year. In the fall we remove bark mulch from the annual beds, and put on about 3″ of compost. Over the winter cold earthworms draw the compost down into the soil, and we are able to plant right into compost/soil next spring.

Water. A lot, then a little. This year I watered twice the first week, once the second (rain or not, it didn’t matter), then the rest of the growing season if it hasn’t rained for week I’ll water. And we’re talking a real rain, more than a half of an inch. Anything less doesn’t count.

I don’t get too worked up about fertilizer. The compost does a good job of that. If I had to make an inorganic recommendation, though, I’d say something in a slow release.Organic fertilizers are wonderful, but if your annuals are deficient, you probably don’t want to be waiting for the right soil temps, enzymes, and mineral breakdown of organics.

9. Avoid cliches.

Not only planting the base of a flagpole, but I’m talking about the tipped planting pot with flowers in the ground “spilling” out of it, the cast iron bed frame in the ground  making a “planting bed” (bed? Planting bed? Get it? Huh? Huh? Get it? Huh?), the toilet bowl filled with flowers (Route 125 in Hancock), or the death march of marigolds lining a walk to a front door.

Cliches can be a more subtle, too, but just as tiring. Like rock plantings. Here’s a local example-

A rock in the middle of nowhere, and two each of the three most popular perennials-Silver mound Artemisia, Autumn Joy Sedum, and Stella D’Oro Daylily.

10. Ask a grade school kid about the color wheel.

It takes a LOT of flowers in a small area to be able to safely ignore color combinations, more than you are willing to plant. And the range of colors found in annuals now means that just because a color wheel says the two go together, it may not.

I will admit to landscaping like a guy. I’m just not very subtle. Bright, contrasty colors are my signature in flower plantings. Like yellows and golds next to Middlebury Blue college signs, or tacky reds and pinks underneath a Japanese maple. My favorite colors in perennials seem to be peaches and apricots. My favorite annual colors seemingly come out of a kindergarteners crayon box.

This goes back to the audience concept as well. All flower books seperate “hot” colors like red and orange from “cool” colors like blues. What they don’t say? Hot, bright colors look good from a distance, like shocking reds. Pale subtle colors look good closer up.

How about one color? Like Morning Star Grass, a green grass with a bright white streak up the center, with a white Bacopa at it’s base.

Another example-Rainbow’s End Dwarf Alberta Spruce, a rare spruce where the new growth comes out gold, with a gold Bidens crawling around the base.

11. Fuss a little bit.

If you are making an investment in annuals, you are going to have to invest in some time into them as well. It’s worth it. A mid-summer haircut goes a long ways to keeping the plants looking fresh and happy for the haul to fall. Some modern annuals don’t need deadheading (removing spent flowers), but chopping off flowers and seedheads at once scares them into better blooms in a week or two. Petunias will branch and flower more if trimmed.

12. Use something big once in a while.

Start with something tall, and work down from there. Unfortunately, many annuals all seem to be about the same height, and that gets dull. Mess around with some grasses, or old fashioned plants like Datura or Night Flowering tobacco. Not only will they fill up a lot of space (cheaply!), but they’ll provide a focus point for the whole bed. Here’s a night flowering Tobacco in a pot with an Oxalis at the base. Even in the daytime, green is a color, and theOxalis has plenty of presence on it’s own.

12. Have some fun.

Humor in the landscape can, and shoud be subtle. (remember what I was saying about cliches?) Annuals are such a broad catagory, that it’s easy to have fun with them, and like a joke, doesn’t need to live from year to year. I’ve seen all Black flowered gardens, for example, or all blue beds with one red “accidental” flower in the center. Or this-a funky grass called King Tut-an Egyptian Papyrus, that I decided to plant in front of the formal stone entrance to Old Chapel Road. It looks like I’d lost my mind. Naturally, I have.

13. Steal ideas.

Horticulture has a grand tradition of theft. One of my favorite plant combinations I ever used was actually just discovered by the plants on a greenhouse bench being adjacent to one another.

Steal ideas Draw inspiration from other sources, like art. Remember about the color wheel above? Ignore it, like that hack Claude Monet, and be brave enough to pair blues with pinks, or even use a surfeit of silver, even though it’s not on the color wheel at all.

14. Ignore everything I say.

I thought this coleus would look good in a bed.

A Wednesday Thunderstorm

Categories: Midd Blogosphere

Last wednesday we had a rip-banger. Thunderstorms developed in the hot summer air over Northern New York, and built as they tracked across the lake. The line continued to build once across the lake, and erupted on top of Middlebury.

I was sitting at home, (I was at work early), watching lightening strike all around us, many up on the ridge of Snake Mountain, some in the fields below. The wind was howling, and sheets of rain poured down. The Middlebury weather station recorded a 20 degree temperature drop in less than a half of an hour, and more than a half an inch of rain in the same amount of time. Peak wind gust came in at 40 mph.

The college weathered the storm ok, but 3 trees took it quite hard. A Green Ash behind Emma Willard (Admissions) took a lightening strike-that was interesting, as it was the shortest tree around, but it was all by itself in the center of the back yard.

Another tree we lost, not surprising, but still sad, was a large Weeping Willow on the northwest side of Battell Beach (the upper Quidditch Pitch). We almost always see Adirondack chairs underneath this tree. The center two stems of this tree had a fast moving fungus that caused a rot in the sapwood of the two center trunks. The sapwood is what carries water upwards to the branches, as well as nutrients throughout the tree, so having this vital structure rot away was a irrecoverable death in waiting. High winds torqued one of the trunks, and broke it away to lean against one of the remaining ones. We removed the tree the next day, before it broke further on someone sitting in a chair.

The final tree may or may not be a casualty, time will tell. One of the large Norway spruces we left in the Main Quad Tree Removal, the most southern one, was hit by lightening. Friends at work in the service building told me it was the most impressive lightening strike they’d heard in a long time. The tree shows a classic spiral scar from the top of the tree all the way down to the bottom root flare. Bark like shrapnel was scattered all over the quad in long 3′ strips, and filled the back of one of our gators. The prognosis of the tree is unknown. The roots seem to be intact-while there is bark peeling on the root flare, it does not seem too bad. Certainly I’ve seen trees recover from worse. We’ll know in a couple of weeks-if the tree is going to die quickly we’ll know soon.

Edge and Atwater

Categories: Midd Blogosphere

Yes, dear readers, I’m still cheating on you on another blog. The Atwater contest is nearing completion, though, and in one of the final posts for Turf Battle I’m again writing about a landscape concept you all might find interesting. I write about Edge, and how it effects the composition of masses and spaces within the landscape.

Space and Atwater

Categories: Midd Blogosphere

I’ve just finished a blog post for the Turf Battle competition that I thought readers of this blog may find interesting, as it pertains to landscape design, the Middlebury landscape in particular. In Space, I wrote about the hierarchy of outdoor spaces on campus, and how the master plan for Middlebury sees our outdoor spaces. I found it fascinating to research, as most of my landscape design courses I took never focused on such large and lofty areas such as these. It’s a quick read, hope you enjoy it.

The Return of the Vandal(s)

Categories: Midd Blogosphere

We are not alone, for better or for worse.

The Burlington Free Press on Sunday wrote an excellent article entitled “Taking it out on Trees: Vandals go out on a Limb“. In it, Joel Baird writes of the problems with vandals in Burlington, and a student in my old dorm at UVM who spoke up. He called me as well, after reading of our travails here at Middlebury on the blog. He writes-

“Parsons said he believes a strategy of engaging more students in their landscape likely will pay higher dividends than highlighting the acts of a few misguided vandals. ”If you publicize it too much,” he said, “you risk getting more of it.”

I also enjoyed the comment section, where someone under the psuedonem Caberg posted a comment that got deleted (wished I’d read that one!) then re-posts and says

Huh? All I did was point out the ridiculousness of Tim Parsons’ personification of trees and the acts of “violence” against them: “This is an act of rage, of violence, well beyond wanton destruction of property, senseless passing violence against an animate object incapable of screaming or defending itself”

I’m all for punishing these vandals and I love trees and naute, but let’s not get carried away here. Trees are not people. Suggesting otherwise ust makes you look like a fool.

Heehee. Yeah, I’m a little foolish. I can live with that.

So I thought I was done, finished writing, whining, wailing, lamenting a priviliged student’s acts every weekend, stopping count at 10 weekends in a row. On to writing about happier things. Then Friday night, another branch on my favorite Katsura tree on campus.

Katsura in Front of Carr Hall

And it begins anew.