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Things That Happened, Things To Do: Week of 3/11

Categories: Midd Blogosphere

dispatch_distressed-300x160Our regular recap of goings on at the College and a look ahead to events on the horizon. As always, we hope to call your attention to items that captured ours and alert you to events that you won’t want to miss. If you have a news item that you think we’d be interested in, drop us a line at middmag@middlebury.edu.

  • Chief Diversity Officer Shirley M. Collado and Sheyenne Brown ’09 talked with NPR’s “Tell Me More” host Michel Martin on March 7 about campus diversity—both creating and maintaining it.
  • The NCAA Skiing Championships came to Middlebury and things couldn’t have gone more smoothly for the 148 athletes representing 21 teams. Middlebury posted the best team score in the men’s slalom for the second straight year and Nordic skier Ben Lustgarten ’14 turned in his second All-America performance, helping the Panthers complete a 10th-place finish on their home snow.
  • TEDx returned to Middlebury over the weekend for a second year of inspiring ideas and discussion. The theme was “The Road Not Taken” with more than a dozen speakers taking the stage to share their interpretation.
  • Starting March 14th, the Rohatyn Center for Global Affairs brings us “The Politics of Freshwater: Access and Identity in a Changing Environment,” a three-day, interdisciplinary conference featuring scholars from both national and international institutions, in addition to our own from Middlebury, the C.V. Starr-Middlebury Schools Abroad, and the Monterey Institute of International Studies.
  • On Thursday at 4:30 p.m. in Dana, Canadian photographer Edward Burtynsky, whose show has been at the museum since February, will discuss his work and the current exhibition, which focuses on abandoned quarries throughout Vermont and “nature transformed through industry.”
  • First-year saxophonist Zitong (Bruce) Jia, winner of the 2013 Beucher Concerto Competition, will be the featured soloist in Friday’s Middlebury College Orchestra concert at 8 p.m. in the Mahaney Center for the Arts Concert Hall. Jia rose above a strong field of musicians to earn his distinction, and the evening should be impressive.
  • Don’t miss the premiere of “The Opulence of Integrity” March 15 and 16 at 8 p.m. in Mahaney Center for the Arts Dance Theatre. This performance, inspired by the life and legend of Muhammad Ali and incorporating elements of boxing with martial arts and an original score, is the fine work of dance faculty member Christal Brown and her company INSPIRIT.
  • Several upcoming film screenings around campus offer something for everyone—MCAB’s “Free Friday Film” featuring Les Miserables at 7 p.m. and 10 p.m. in Dana Auditorium; the Hirschfield International Film Series featuring Little Birds on Saturday at 5:30 p.m. and 8 p.m., also in Dana; and the Education Studies Film Series featuring Bag It, about the effects of plastic on our world, on Wednesday, March 20, at 7 p.m. in Dana.

Small Paintings Tell a Big Story

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MasterofStUrsulaLeftPanel155MasterOfStUrsulaRightPanel155Historian Paul Monod unraveled some of the mysteries surrounding the College’s two 15th-century Flemish panel paintings for an admiring audience of art aficionados on Feb. 28 in the Mahaney Center for the Arts. The works, which are in the permanent collection of the Middlebury College Museum of Art, are currently on display in the museum.

The exquisite paintings on wooden panels are attributed to the “Master of the St. Ursula Legend,” an unnamed artist working in Bruges between 1475 and 1500. The panels are the outside wings of a triptych – a popular format for religious art – and the whereabouts of the third or center panel is also unknown.

And yet Monod, the A. Barton Hepburn Professor of History at Middlebury, has determined almost to a certainty the identities of most of the major figures depicted on the panels. He has also determined when the works were painted, and has informed opinions about who the Master of St. Ursula was, why the paintings were commissioned, and what might constitute the subject of the missing middle panel.

“I have been in love with these two panels ever since we acquired them and they have fascinated me since I first set eyes upon them,” said Professor Monod, who acknowledged that he is not an art historian by training. Rather, he is an expert in 17th- and 18th-century European history, particularly the history of the British Isles, and he was motivated to delve deeply into the origins and symbolism of the panels because “they are very, very rare and very, very fascinating.”

Monod sees a direct British connection in the right-hand panel of the Middlebury triptych, particularly in the “protecting saint” shown carrying a scepter, wearing an open crown, and dressed in a gown bearing the coat of arms of England. Monod concludes that the figure in the painting is King Henry VI, although Henry VI was never canonized. The painter depicted the king to appear much as British royalty did on the coinage of the day: “a generic portrait of a king…with long flowing hair and a youngish look.”

Monod is certain that the man shown kneeling before the king commissioned the making of the triptych, the outside panels of which measure just over 20 inches in height and eight inches in width. “It is quite clear that he wanted something small and quite possibly portable, but he also wanted it packed with saints…for every possibility and every occasion.”

So who commissioned the work? “The man in the right-hand panel is well dressed, but not well dressed enough to be a nobleman, nor is he carrying a nobleman’s sword,” which leads Monod to believe that the patron of the triptych was “a wealthy merchant, an alderman of a town, or someone high-ranking within a city,” presumably in England.

Paul Monod - the "d" is silent and the accent is on the first syllable

Paul Monod says the “d” in his surname is silent and the accent goes on the first syllable

The author of five books and an assiduous researcher, Paul Monod examined the iconography associated with the eight saints in the left wing of the triptych and used those “clues” to determine who they are and how they might hold meaning to the patron.

According to Monod, the saints in the background of the left panel are: St. Anthony Abbot, shown with fire coming from his feet; St. Barbara, who is about to be decapitated; St. Sebastian, who is naked and shot with arrows; and St. Giles, who is carrying a crosier in front of a hermit’s cell. The saints shown as bishops in the foreground of the left panel are: St. Nicholas, who has at his feet two little boys in a barrel; St. Omer, with a thick pair of eyeglasses; St. Eligius, who is holding a goldsmith’s hammer; and St. Blaise, with a wool-combers carding tool.

Each of the eight saints must have held significance to the patron who paid for the creation of the triptych, Monod explained. For example, it was believed that St. Barbara guarded against thunder and lightning, St. Blaise protected those in the wool trade, and St. Anthony was appealed to for infectious diseases.

Before Paul Monod concluded his research, the identities of St. Giles and St. Omer in the triptych were not known, and the identity of King Henry VI had never been confirmed.

The Middlebury historian and others have deduced that the triptych was painted in the studio of Pieter Cassinbroodt, a free master of the Bruges Guild of St. Luke. Based on his research, Monod believes that the Middlebury panels were most likely painted in 1495 by one or more of Cassinbroodt’s apprentices. (Cassinbroodt was known to take on as many as seven apprentices.)

The final piece of the puzzle is the center panel: where did it go, what did it depict, and why did it get separated from its wings? We may never know the answers to those questions, Monod remarked, but it’s likely that the missing center panel showed a powerful religious image such as the body of Christ being brought down from the cross.

The one certainty, though, is why the triptych was commissioned. It was intended to be  “a declaration of a kind of political loyalty and it’s meant to show that the patron has accepted the political transition and change of power” from King Henry VI to Henry VII.

He concluded: “This is a very rare piece that has a big, important story to tell, if not by me then by others in the years to come. These two panels – these two tiny, little panels – will reveal more and more about the history of the times, about the person who commissioned them, and about these charming little saints who are posed so mysteriously against this fascinating landscape.”

Middlebury College acquired the two painted panels in 2011 through the Christian A. Johnson Memorial Fund. The Museum of Art is open to the public without charge Tuesday through Friday from 10 a.m. to 5 p.m., and Saturday and Sunday from noon to 5 p.m. 

Sights and Sounds of a Championship Day

Categories: Midd Blogosphere

“And here she comes, straight and fast through the finish, Kelly McBroom for Montana State…”

Montana State? In Middlebury?

It’s not every day you hear skiers from the western schools announced over the loudspeaker at Middlebury’s Snow Bowl. But today is not every day.

Wednesday morning marked the start of the 2013 NCAA Championship for both alpine and Nordic skiing, hosted this year by Middlebury.

“It’s been a long time in the works,” said an appropriately bundled Director of Athletics Erin Quinn, who stood among a crowd of other fans at the finish line, watching the first of the women’s giant slalom runs. “We’ve been prepping for this for more than a year, and it’s just a great feeling to have the day finally be here—and the weather cooperating!”

Indeed, an overcast dNCAA_featureay with slight flurries and temps in the 20s made for the perfect race day. According to one finisher from New Mexico, “It was a little windy at the top, but most of us really like these conditions.” Another skier, from the University of Denver and a native of New Hampshire, was excited to be back East skiing among old friends. “This is awesome,” she gushed, fresh over the line. “Middlebury’s a great hill. And such a fun town! We’ve tried a different sandwich shop every day—so far we like Noonie’s the best.”

Waiting for their daughter Anne to race, Rocky and Betsy Rockwell from Moosehead Lake, Maine, were well prepared for the day in warm Bates hats and scarves—including the one on their dog. “This is a trip,” said Rocky. “It’s a dream for these college kids to make it to this day. It’s Anne’s first time here. She might’ve been a little nervous.”

At the foot of the chairlift, a giant flat screen TV captured each skier as she sped through the gates. Once she was visible in person on the lower half of the mountain, the cheers and clanging cowbells were deafening.

Inside the lodge, the temperature was warmer but the atmosphere just as frantic. Skiers stretched, changed uniforms, inhaled egg sandwiches, and prepped for their second runs on the GS course. Snow Bowl staff were busy answering questions and generally enjoying the excitement of the day—and days to come. “It’s wonderful to see so many faces from so far away,” said Susie Davis, director of the Snow School. Ticket master Don Swenor, with his characteristic smile, said the best part of the day was “everything happening outside on the mountain,” and added, “It ought to happen every five years instead of ten.”

Upstairs, tucked in a corner room with a clear view of the course, Doug Lewis, a former Olympian alpine skier and local Vermonter, announced each skier’s progress from start to finish with the flair and ease of a seasoned commentator. A sign hastily taped to the half-open door requested “Silence please, no cells or electronic devices.”

With only a few skiers left to go, he finally announced Anne Rockwell from Bates, whose parents waited so patiently at the finish. “And she’s looking smooth at the start…bing bang she’s through the midway gates…a little thin at the bottom…and that’s 1:05.89 at the line.”

She was 26th after that first run, 29th overall—not bad for a first outing among some of her most talented peers. Her parents were beaming.

For more details on the NCAA Championships, please use these links:

http://www.ncaa.com/content/2013-ncaa-skiing-results

http://www.middlebury.edu/athletics/about/sportsnotes/201213sn/2013sn/march13/031113/node/448304

http://www.middlebury.edu/newsroom/node/447735

Fracking: A Tale of Two Countries

Categories: Midd Blogosphere
Journalist Dimiter Kenarov ’04.5 speaks on shale gas fracking in Poland and Pennsylvania

Journalist Dimiter Kenarov ’03.5 speaks on shale gas fracking in Poland and Pennsylvania.

Journalist Dimiter Kenarov ’03.5 has covered the hunt for a Macedonian serial killer and Baghdad’s Explosive Ordnance Disposal training program (think “Hurt Locker”) but says of his current assignment, “It’s the hardest thing I’ve ever done.” The young Bulgarian writer, now a resident of Istanbul, returned to Middlebury recently to talk about the complexities of “Shale Gas: From Poland to Pennsylvania” at the Franklin Environmental Center at Hillcrest. The widely published Kenarov is partially supported in this project by the Pulitzer Center for Crisis Reporting, a clue to how combative the issue of drilling for this so-called “energy game changer” has become.

The affable Kenarov began, at the audience’s request, with a brief presentation explaining what shale gas is and how drillers recover it from rock through hydraulic fracturing, or “fracking.” Small-scale shale gas drilling has gone on for years, but new horizontal drilling technology puts gas on the leading edge of the “unconventionals,” or fuels (tar sands, ultra deepwater oil, coalbed methane, etc.) being developed now that supplies of the world’s “cheap and easy” fossil fuels are waning. One benefit of shale gas, he noted, is that it’s found worldwide and doesn’t require expensive exploratory drilling.

After Kenarov outlined some of the risks and costs, however, it was hard to understand why Poland was leading the shale gas charge in Europe and how the practice has already achieved such a foothold in the U.S. As Kenarov explained, horizontal fracking wells cover a large surface area. To force and keep open the shale fissures and release the gas within, drillers inject at high pressure from three to seven million gallons of fresh water per well, mixed with sand and toxic chemicals such as benzene and lead. Some of that water is then recovered as “flowback.” “Then what do you do with it?” Kenarov asked. Much of Pennsylvania’s flowback is sent for underground disposal to Ohio. “The water picks up 200 times the salts contained in seawater—in the Marcellus Shale [in the U.S. Northeast] it’s 3,000 times more,” he said. The water also carries as much as 1,000 times the safe drinking levels of radioactivity from its travels through the rock. Chemically tainted water from the wells can seep into underground aquifers; if pumped out and sent to standard water treatment plants, which are not equipped to decontaminate this flowback, the water seeps into rivers, water tables, and food chains.

Then there are the noise and air pollution of huge trucks needed to move water and drilling rigs; the methane released from the wells that cancels out natural gas’s comparatively modest carbon footprint; the quick decline of many of the wells, which prompts more drilling; and the pipelines extending for thousands of miles through previously scenic farmland.

In Poland, one word explains an enthusiasm countered by many other European countries’ fracking moratoriums: Russia. Poland’s longtime nemesis provides two thirds of Poland’s natural gas, and while gas comprises only 13 percent of Poland’s energy mix, many Poles want to make sure it’s “Polish gas.” The writer noted that only eight percent of Europeans overall support shale gas, but any Pole questioning gas development is branded a “national traitor” supporting Russian interests. Despite the U.S. State Department’s technical support for fracking in Poland, and the fact that the state, not farmers, owns subsurface mineral rights, “Poland doesn’t have the infrastructure,” Kenarov said. “The economy of scale doesn’t exist in one small country.” In response, Exxon has withdrawn its interests.

Scale limitation is not the problem in the U.S., where millions of square miles are mapped for fracking and half a million active wells exist. Kenarov described coming into Pennsylvania to report on fracking as “going into a mosh pit at a punk rock concert.” In northern regions of the state that lie over the Marcellus shale gas play, towns are dealing with higher crime rates, accidents caused by huge trucks, and tensions between neighbors on either side of the issue. Struggling dairy farmers who sold their mineral rights for additional income have found their supply chains collapsing as businesses shift to ride the gas wave. Vegetable farmers are either concerned about their water quality or are discovering that their customers, wary of toxicity, are buying elsewhere. (As Kenarov noted, thousands of contamination accidents caused by faulty well casings and other mishaps throughout the U.S. have been registered with the Environmental Protection Agency.)

Still, enough interests are benefiting that the shale gas drive continues (Audience members noted that Vermont is the first and only state so far to ban fracking). Kenarov commented as he showed aerial photos of vast expanses of well clusters that looked more extraterrestrial than Texan, “the scale of development is striking.”

How Students Learn

Categories: Midd Blogosphere

DSC_5865Four faculty members offered varying perspectives on how students learn – from the ways that assessment tools can affect retention to the need for more “space” or improvisation in the classroom – as part of the yearlong conversation at Middlebury College on the future of the liberal arts.

In a panel discussion on Feb. 19 in McCardell Bicentennial Hall, Professor Barbara Hofer of the psychology department said that the method of assessing students, such as quizzes or short-answer tests vs. term papers or presentations, often drive how students go about their learning and what they’ll gain from it in the future.

“When students think what they are going to be tested on is discrete facts, then they make flash cards, right? They use rote memorization strategies. [But] if we are asking them to do higher-order tasks in our assessments, they are far more likely to use the strategies that lead to deeper understanding and knowledge,” she said.

It comes down to whether we want our students to remember disconnected bits of information or whether we want them to develop an entire web of knowledge, Hofer explained. Students don’t always see that the goal of learning is acquiring “rich, flexible, generative knowledge”; all too often they are concerned simply with the intake of information without any depth of analysis.

Cognitive psychologist Jason Arndt, an associate professor who specializes in human memory, supported Hofer’s views on knowledge acquisition.

In terms of a human being’s “working memory,” i.e., a person’s ability to think about things in the moment, people have an “exceedingly limited” capacity to hold onto data in the short term, said Arndt.  Teachers should be aware that working memory serves as a gateway to longer term retention, and if information “doesn’t get past working memory, it’s just not going to be there over the long term.” One of the techniques that Arndt uses when teaching highly complex material is limiting the number of words and ideas on each of the slides he shows his students.

He also pointed out that doing things in the classroom that demand deep, active thinking is much better for long-term retention as opposed to cursory activities that don’t demand active engagement.

“When left to our own devices,” Arndt said, “we don’t do a ton of things on our own that require a lot of effort to process it or to think about it, and that has consequences for later retention. If we do things in a relatively shallow way, that information is not likely to be there for us five minutes down the line, 10 minutes down the line, or three days down the line.”

Room for space and improvisation

The other two faculty members on the panel looked at the question of how students learn from vastly different points of view than that of their faculty colleagues from the psychology department.

Jonathan Miller-Lane, an associate professor of education studies, said that students’ curiosity should be at the center of teaching-learning process. “Before we talk about learning, we need to talk about which questions matter to students and what students are curious about,” he said.

Professors should be willing to give up their own preconceptions in honor of emphasizing the student’s place in the exchange of knowledge because, he explained, the student’s experience is more important than the teacher’s. To illustrate his point, Miller-Lane pointed to a quote from author and educator Parker Palmer: “To teach is to create a space, not to fill it.”

Said Miller-Lane, “We often assume as professors that the syllabus must pre-exist the arrival of the student and that the essential content pre-exists the arrival of the student. That’s a really interesting assumption to unpack, and this statement – to teach is to create a space – suggests that maybe there is something in the interaction between us that is at the heart of what learning means.

“Space for what then? If teaching is to create a space, where do we go but to John Dewey with this beautiful sentence: ‘Intelligently directed development of the possibilities inherent in ordinary experience.’ That’s what we are creating a space for. Where learning [is] acquiring abilities to engage that.”

Penny Campbell, senior lecturer in dance, said, “I am an improviser. That’s the bottom line in my life, [and] what I have been doing the whole time I have been here is bringing the body into the classroom, bringing the body to the center of our inquiry and our study.”

To foster improvisation, Campbell puts her dance students into situations without actually telling them what the expectations are. (She demonstrated her point by asking the audience of faculty, students, staff, and Middlebury parents to put their arms in the air and move them around. Some people moved their arms about wildly while others were more passive. Still others declined her request. But the point of the exercise soon dawned on everyone: our bodies were front and center, and none of us knew beforehand what the outcome of the exercise would be.)

“Living on the edge of chaos is something we can learn to do. We can learn the skills of operating that way. And also, we can have faith that if we are developing this amazing system of perception that the body-mind is – a continuous, active, self-organizing system in a way – if we can learn how to use that and open it and learn how to be comfortable with it, because I think we live in a culture that’s very, very suspicious of bodies.”

Every one of us has an “enormous amount of potential as a living being to perceive and pay attention to ourselves, to our environments, to the people around us, to what is going on” in life, and Campbell probes that potential in her students through improvisation.

The panel was moderated by Professor James Calvin Davis, the associate vice president of academic affairs, and was organized by his office to further the campus-wide conversation on the future of the liberal arts.

The next program in the series called Core and Change in the Liberal Arts will be held on Thursday, Feb. 28, at 4:30 p.m. in room 220 of Bicentennial Hall. Speakers from three academic disciplines and from Library and Information Services will broach the question: How can we use emerging technologies to support Middlebury’s mission “to cultivate the intellectual, creative, physical, ethical, and social qualities essential for leadership in a rapidly changing global community?”

What Humankind Left Behind

Categories: Midd Blogosphere

By focusing on a subject he calls the architecture of residual landscape, internationally prominent photographer Edward Burtynsky creates an art form that is as engaging as it is provocative.

The selection of photographs, on view at the Museum of Art through April 21, grew from a concept the artist began exploring in the granite quarries throughout Vermont and Canada in the early 1990s. Director of the Arts Pieter Broucke and Juliette Bianco, assistant director of Dartmouth’s Hood Museum of Art, where the exhibition originated, are co-curators and introduced the show at its opening this week.

The works are large-scale—as are, after all, the deeply cavernous subjects—but the largeness of it all can be deceiving. The artist gives little sense of perspective within the photographs, so the smallest details—the rock striations and geometric cuts, a bright green pool, a chalky white glaze—became almost otherworldly, while at the same time so clearly recognizable as our own earth. It’s a mesmerizing beauty born of industrial destruction. The exhibition also inherently serves as social commentary, but the artist himself is not documentarian; he doesn’t press his opinion but rather propose the opportunity for healthy and ongoing dialogue.

Click through a slideshow of selections below, then make a trip to the Museum to see the show in person—a must!

Danby Marble Quarry #2

Picture 1 of 7

Edward Burtynsky (Canadian, born 1955), Underground Quarry, Danby, Vermont, 1995, digital chromogenic color print. Courtesy of the artist.

Class Assignment: Give Away $100,000

Categories: Midd Blogosphere

How hard could it be to give away $100,000? Just write the check, make someone’s day, smiles all around.

Of course, it’s not that simple. At least not if you’re weighing the countless factors philanthropists must consider, which is what a group of 25 Middlebury students did during a new J-term course titled “Philanthropy: Ethics and Practice.”

The money was real — $100,000 from the Texas-based Once Upon A Time Foundation, which has made similar grants to several colleges and universities to support the study of philanthropic giving. The class’s charge was to research nonprofit organizations that interested them, and allocate the funds by the end of the course.

Sarah Stroup, assistant professor of political science guides a class dicsussion.

Sarah Stroup, assistant professor of political science, guides a class discussion.

A faculty team of political scientist Sarah Stroup and philosophy professor Steven Viner served as facilitators, crafting the course to blend the mechanics of philanthropic giving with the ethical decision-making tools necessary for such important choices.

For the first two weeks, students delved into the intricacies of nonprofits and philanthropy. They split into five groups and compiled lists of possible organizations to support, then spent a week immersed in research on their prospective grantees, including phone conversations, meetings, and tours. They narrowed the field significantly with each group considering one to three potential organizations.

Sitting with Stroup and Viner, one student group described how they’d honed their list down to one local social services group — the Addison County Parent Child Center. They liked supporting an organization in the local college community and were impressed with the center’s results in reducing teen pregnancy.  But will it persuade their classmates?

Students listened to detailed briefing papers from their classmates on each of the charities considered for grants.

Students listened to detailed briefing papers from their classmates on each of the charities considered for grants.

“I feel like in order for them to keep providing help and education on a case-by-case basis, we need to address the issues of staffing,” said Luke Martinez ‘14. Martinez noted that most of the center’s funding comes mostly from Medicaid and the state, but those sources seem continually at risk as the country digs out of recession.

“That won’t be sexy to present in front of the class, but it’s the fact of the matter,” added fellow group member Emmy Masur ‘13.

Week four marked a transition to the hard work of narrowing the list even further in preparation to make awards. To help create a baseline of shared information about the charities, each student group presented a briefing paper that included background, structures and strategies, financial information, oversight and monitoring, evidence of impact, and reasons why to support them.

They narrowed the field to four finalists: Gardens for Health International, which fights malnutrition; Grassroot Soccer, which works to reduce HIV infection through education; and Schistosomiasis Control Initiative (SCI), which reduces parasitic worm infections in Africa, and the local Addison County Parent Child Center.

The class took numerous hand votes to narrow down the finalists, but ultimately voted on paper to reach consensus.

The class took numerous hand votes to narrow down the finalists, but struggled to reach consensus.

But along with a smaller field comes stronger advocacy from the student groups. When students had a chance to ask each other for additional information, there were sometimes testy exchanges as students slipped into the role of advocates. They all knew what was on the line for their charity and wanted to make a compelling case.

“I think we expected this,” said Stroup, “that as the decision moment came closer, students were not thinking about these questions in abstract terms. They were thinking about them in the particular context of the charities that they felt passionately drawn to.”

On the last day of class, the moment of truth arrives, when the class must decide — together — how they’ll parcel out the money. Everyone knows how much research and emotion the other teams have invested, but they really want their group to come out ahead.

Stroup and Viner, now in full facilitator mode, guide the students into a decision process that’s fair and logical. Viner has suggested a kind of “Robert’s Rules” system to keep the class on track. Trying to narrow the decision further, the class takes a series of votes: how many charities to fund, which are your preferred charities, if we vote for only three, what would they be, and so on.

Ian Stewart ’14 (center) broke through the stalemate by suggesting a paper vote.

Ian Stewart ’14 (center) broke through the stalemate by suggesting a paper vote.

Three solid hours of deliberation yields a stalemate, and a new group dynamic. Quite simply, it is difficult to sit in a circle of friends and peers, and tell them you don’t want to support their cause. Ian Stewart ‘14 proposes a solution that breaks the log jam: Each member of the class write on a piece of paper how much money they would allocate to each of the four groups and then tally the class average for each. It’s an imperfect solution — some groups get more, some less — but it nicely illustrates the need for compromise and progress. Gardens for Health and SCI end up with $35,000 each, while Grassroot Soccer and the Parent Child Center end up with $15,000 each.

With a decision finally made, the mood turned from tension to joy, exuberance, and relief. And despite all the wrangling that came before, the class seems satisfied that the will of the group was reflected in their decision.

Viner applauded the students’ efforts, especially their perseverance when it might have been easier to split the money evenly and call it a day. “That’s a sort of life lesson about us learning how to do good with our money,” he said. “These are difficult decisions, but there’s also an undercurrent of another sort of problem that arose, which is coordinating with others to come to a decision about how our projects will clash with, and come into tension with, other people’s projects even when they’re both good projects.”

“Our class introduced students to both ‘what is’ in the American nonprofit sector as well as to perhaps ‘what should be’ in terms of our responsibilities to others,” said Stroup, “and we hope that the conversations that we began over J-term continue as students grow as citizens and leaders.”