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Douglas Perkins
Douglas Perkins '94 is Administrative Operations Manager at the Middlebury College Museum of Art and steward of the museum's digital presence.
Posts by Douglas Perkins
Portrait of a Man: Govaert Flinck and the Rembrandt School
Categories: Student ProjectsThe following paper was researched, written, and presented as a public lecture by Carolina McGarity ’17, the museum’s 2014-2015 Robert F. Reiff Curatorial Intern. Introduction In his Portrait of a Man, [fig. 1] Govaert Flinck uses very Rembrandtesque elements and … Continue reading →
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The Persistence of Memories: Art as Portkey
Categories: ProseWe humans have a habit of storing memories and feelings just about everywhere. The house, the car, the cat, articles of clothing, coffee mugs, lost teeth, and locks of hair. Really, anything will do as a repository for the moments … Continue reading →
Steel Yourselves, Here Comes Youbie Obie
Categories: Public ArtIt’s been exactly twenty years since the Committee on Art in Public Places (CAPP) accepted Jules Olitski’s King Kong—a beautifully abstract, almost minimalist work in cor-ten steel, gifted to the College by Sophia Healy, daughter of former professor Arthur Healy—and sited it in front of the Johnson Building. This summer, as a serendipitous, unwitting tribute to the acquisition of King Kong, CAPP has accepted another gift in cor-ten steel, a monumental work by Middlebury alumnus J. Pindyck Miller ’60 titled Youbie Obie. Continue reading →
Wonder, Rewarded
Categories: AwardsEvery year we solicit nominations from the local community for students, artists, and art benefactors whose support of the visual arts merits distinction, and we select several to honor at our Annual Dinner. The winners get feted and appreciated for an evening, and each receives a certificate. Articles in the paper, all that sort of thing. We let the world know that this crop of arts heroes has done something special, and we hope that each feels appropriately celebrated for his or her talent. Then we go about another year of wash, rinse, and retweet until the specter of the next Arts Awards season makes us wonder where all the time has gone and what happened to last year’s winners and whether we made a difference in their lives to the extent that it would be worth trying to do it again this year. Continue reading →
Another Summer in the Books
Categories: ExhibitionsSummer comes and goes very quickly here in Vermont—blink and you’ve missed it, as some would say—and like the season itself, our summer exhibits vanish with a similar haste, like a Fumé Blanc that you wish would have lingered just a bit longer on your tongue. As I watch the works come off the wall and go back into storage or back to their lending institutions, I often find myself wishing that I had spent more time with them, and inevitably I turn to the exhibit’s comment book to absorb others’ insights about the show as a way of allowing it to hang a little longer in my mind’s eye. Continue reading →
Fabergé: The Social and Political Implications of Russian Decorative Arts
Categories: Student ProjectsThe Middlebury College Museum of Art possesses a remarkable collection of Russian artifacts and family keepsakes made by the firm of the famous jeweler, Carl Fabergé. This essay by Adrian Kerester ’15, adapted from her April 2013 lecture and reproduced here with permission, explores Russia’s social history at the turn of the last century through an examination of and conversation surrounding Russian decorative arts and the culture of Russia’s ruling aristocracy. Continue reading →
Rackstraw Downes, Unfinished
Categories: Prose“The artist who searches for subject matter is like someone who can’t get out of bed without understanding the meaning of life.” –Fairfield Porter When I think about pencil drawings my mind inevitably wanders to Robert Frost’s Mending Wall. “Something … Continue reading →
Lovely Filth
Categories: Exhibitions, Public ArtIt’s not often that I get to make direct connections between an exhibition in the galleries and the collection of public art that we have on permanent display around the campus. The opportunity is probably there more often than I’m aware, but during my tenure anyway, the times when the similarities have been palpable have been rare. This spring, with Environment and Object • Recent African Art on view in several of our galleries there’s a theme that’s begging to be explored both inside and out. And it’s totally rubbish. Continue reading →
Life is Like a Bowl of Chocolate
Categories: ExhibitionsThis always happens. We put up a fantastic exhibition; the public enjoys it, raves about it even; and then I wake up months later as the show is about to come down and realize that I have yet to spend … Continue reading →
Being Richard Dupont
Categories: ProseAs I watched our preparators put the finishing touches on the installation that now occupies the museum’s upper balcony—four heads by New York artist Richard Dupont, generous and timely loans from a private collection—my mind was overrun with clichés about … Continue reading →
