Tag Archives: Library Spotlight

Phoenix Pod to replace NExpress

Former NExpress members have agreed to keep working together to provide expedited Interlibrary Loan services with the start of the Phoenix Rapid Returnables Pod.  All requests will be processed through ILLiad, but requests for materials owned and available at any of the Phoenix Pod members will be ordered automatically, delivered by UPS, and loaned for an extended period of two months (with a renewal of another month).

What do you need to do to take advantage of Rapid’s automated ordering? Nothing special! If you need a book or an article that we don’t own, submit a request via ILLiad at go.middlebury.edu/ill/ as usual, and be sure to include an ISSN or OCLC Accession number. (Need help with that? Ask a librarian!)

New to the libraries – Fall 2017

The library has acquired some new resources over the last few months:

  • Encyclopedia of Hebrew Language and Linguistics  a systematic and comprehensive treatment of all aspects of the history and study of the Hebrew language from its earliest attested form to the present day and features advanced search options
  • Japan Times Archive Full text of every issue of this English language newspaper based in Japan that was published from 1897 through 2015
  • Digital Loeb Classical Library  Important works of ancient Greek and Latin literature, presenting the original Greek or Latin text on each left-hand page, and a fairly literal translation on the facing page.
  • American Indian Movement and Native American Radicalism, 1968—1979This collection of FBI files from 1968 to 1979 provides detailed information on the evolution of AIM as an organization of social protest and the development of Native American radicalism.
  • Federal Response to Radicalism in the 1960s Another collection from the Federal Bureau of Investigation Library, this collection sheds light on internal organization, personnel, and activities of some of the most prominent American radical groups and their movements to change American government and society. Included are files on Cesar Chavez, the Black Panther Party, and Malcolm X, among many others.
  • FIAF international index to film periodicals This database contains the International Federation of Film Archives (FIAF)’s “Treasures from Film Archives”; a detailed index of the silent-era film holdings of archives from around the world, a selection of Reference volumes and the linked full-text of over 60 journals.
  • JSTOR books  Middlebury has purchased access to nearly 800 e-books on the JSTOR platform. Subjects include books published in 2015-2017 in the broad areas of languages and literatures, sociology, political science, and climate change. (You will find relevant content from any of these books by searching the JSTOR platform. In the near future, they will also be in the library’s catalog.)

Welcome (back!) to the Libraries!

Welcome (or, welcome back!) to the libraries! Whether you’re new to campus or returning from summer break, we’re looking forward to seeing you.

Want a virtual tour? Watch the video called Davis Family Library: 5 Quick Tips in the Midd Libraries Quick Guide. While you’re in the guide, take a look at all of the other advice we provide for navigating the libraries.

Want a deeper dive in our collections? Find your favorite research guide (there’s one for every subject) at go.middlebury.edu/guides:

Subject guides

go.middlebury.edu/guides

Welcome!

Welcome to the Libraries, Class of 2021

Hello, Class of 2021Hello, Class of 2021!

We know you have questions — who doesn’t? Introduce yourself to a librarian at the Research Desk. You’ll find that we’re always happy to help. Tell us what you’re working on and together, we’ll figure out what to do next.

Fall Research Desk Hours
(September 10-December 15)
Mon – Wed: 11 am – 5 pm
and 7 pm – 10 pm
Thursday:    11 am – 5 pm
Friday:          11 am – 4 pm
Sunday:        1 pm – 5 pm

And online anytime!
go/askus/ or
http://go.middlebury.edu/askus

No one available at the Research Desk?
Visit us in our offices! Librarians are conveniently located right behind the Research Desk.

Japan Times at Middlebury

Over time, the Japan Times changed its official title a few times, so it can be hard to find a particular article from a particular date. Now that we have access to The Japan Times Archives, here’s a guide:

Current issues:

Today’s Japan Times and content from recent weeks can be found by anyone anywhere at the Japan Times website. (An individual without a subscription is limited to a few articles per month.) Text-only is also available for 1998 to present by searching LexisNexis.

Older issues:

For older content, Middlebury users now have access to the Japan Times Archives

The archive include articles published since its inception in 1897, including all of these variations:

  • Japan Times (1897-1940)
  • Japan Advertiser (1905-1940)
  • Japan Times and Advertiser (1940-1942)
  • Nippon Times (1943-1956)
  • Japan Times (1956-present)

As of this writing, the Archives include content through December 31, 2015; 2016 content is expected in the near future.

Davis Family Library closed June 12-18 for floor repairs

Davis Family Library will be closed all next week (June 12th through the 18th) so that a contractor can rework the floor grates in the vestibule.

The front doors will be inaccessible and the vestibule (including the rest rooms, ATM, and cafe space) will also be inaccessible from both the outside and the inside.

Armstrong Library in Bicentennial Hall will be open 9am to 5 pm June 12th through the 16th (Monday through Friday),

and the library’s e-books and online journals and databases will be available – see go/lib/ to find them.

African American Music Appreciation Month 2017

Literatures & Cultures Librarian Katrina Spencer kneels next to a newly installed display featuring African American musics..

I grew up in a very musical household and that identity follows me wherever I go.

Name: Katrina Spencer

Title: Literatures & Cultures Librarian

Hometown: Los Angeles, California

Collaborators: Kat Cyr, Arabella Holzapfel, Amy Frazier, Terry Simpkins, Marlena Evans, Heather Stafford, Innocent Mpoki, Joe Antonioli, Sue Driscoll, Dan Frostman, Kim Gurney, Janine McDonald, Todd Sturtevant, Bryan Carson, Joy Pile, Ryan Clement, multiple student workers, Barack Obama, Jimmy Carter, and others. Many sincere thanks to all of the energy you all have put into this.

Whatcha got goin’ here in the atrium and on the main level of the Davis Family Library?

Of the 23,000+ CDs we have in our collection, we are highlighting over 300 works by and about African American musical artists from June 1st- June 7th and June 18th- June 22nd. Former President Barack Obama declared June as African American Music Appreciation Month, an initiative first shaped in 1979. President Obama was able to draw further attention to the commemorative month with his 2016 proclamation and the many artists his administration invited to perform at the White House.

Generally speaking, the content spans the 1940s to the early 2000s, including artists from every decade in between. African American music started much earlier than this, but when it comes to largely accessible sound recordings, the early 20th century was perhaps a good place to start in terms of our holdings.  However, we do plan to include some very early recordings and have a few books that address African American music in the late 1800s- early 1900s.

What motivated you to put this together?

There were so many motivations. First, I have lived now in five states– California, Missouri, Illinois, Wisconsin, Vermont– and while the demographics, landscapes, weather, and food fare change, the consumption of African American music as an avid pastime does not. Scratch that: it’s global. People love the soulful sounds born deep in the South of our country, among pain, oppression, and affliction, within the church, in the Great Migrations to urban spaces, on stage at Harelm’s Apollo Theater, within both Motown’s and Los Angeles’ major recording studios, and shown on MTV and BET. When you tell the story of African American music, you tell the story of our nation.

Second, I attended the Posse Plus Retreat back in February when I was hired and some of the facilitators did a great job of playing music during our set-ups for activities. There I told American Studies professor (and musician) Dr. Will Nash, “I’ll give you all the money in my wallet if you can tell me who’s singing this song.” He thought for a minute and replied, “Is it Brandy and Monica’s “The Boy Is Mine?”” I wasn’t expecting a white man, some 20 years my senior, to know an R&B hit from the 1990s– and I was wrong. Thankfully I was only carrying $1.63 in cash! But that conversation made me realize even more profoundly that music transcends race, class, geography, and other markers we tend to think divide us.

Lastly (and transparently), I love to see people of color taking ownership of our library spaces, myself included. Frequently at predominantly white institutions, people of color and oppressed minorities do not see themselves systematically reflected in the curriculum, the history of their colleges, and/or in the body of faculty and staff. My efforts in the library aim to speak to that scarcity of representation. I’m on a mission to reassert esteem, to remind my audiences that we’re in the 21st century, and that “America” is increasingly and beautifully brown.

How’d you decide what to include?

We crowd-sourced. We started up an Excel file and invited various people on the library staff to add to it. The seven of us rather easily came up with hundreds of works that would fit into our theme. Ha! New recommendations were coming in while we were loading the shelves!

Can I just say that I learned so much in the process of preparing this display? I found out about “soundies,” some of the very first “music videos” of the 20th century that preserve early performances by black artists, that the ubiquitous tune,“The Entertainer,” was composed by a black man, Scott Joplin, and, perhaps most importantly for me, if you ask for help on a project, you’ll get it. This display was nothing if not a collaborative effort.

The layout of the display is a bit unconventional. Can you say a few words about that?

Sure! The idea of adorning our tables (and carrels) with display materials had been brewing for awhile, however, the opportunity to test it out only presented itself this month. The whole point of a display is to draw attention to a theme. While it’s easy to walk past shelving containing “themed” items en route to a study space, it’s harder to miss items in a display that occupy one’s study space. I call it a “guerrilla” method. It’s a more aggressive attempt to engage an audience. (And people are noticing.)

What were some of the challenges in shaping this display?

I wish the students who are normally here during the academic year could see and enjoy the display. Many of them who frequent the Anderson Freeman Center <3 would appreciate the work. However, as we prepare for Reunion, many alumni will likely have an opportunity to encounter it.

We also realize that streaming is perhaps the most popular way for young people to consume music. While we have resources for this (see “Music Online: Listening (North America” within our databases under “M” at go.middlebury.edu/lib), the CD cases and inserts make for great visuals. For those of us wanting to listen to the CDs, know that we have multiple external disc drives behind the Circulation Desk to loan out for both Macs and PCs.

This display will last until June 22nd as the whole campus is gearing up for Language Schools and the content includes music in the English language. However, I have made efforts to include artists from the black diaspora like Beny Moré (Cuba) for the Spanish School, Les Nubians (France) for the French School, and Seu Jorge (Brazil) for the Portuguese School.

What do you want people to take away from the display?

I want people taking in the display to think critically about the contributions African Americans have made to this country. Music is merely one of them. Our economic contributions are often hard for people to stomach because they are mired in blood, sweat, and tears. Our scientific contributions experience historical erasures as The Immortal Life of Henrietta Lacks and Hidden Figures suggest. And our political ones are often met with violence, aggression and unpopularity, as the Civil Rights Movements demonstrate, while ultimately forwarding this nation.

How else can we enjoy this effort?

Like our Facebook page. For three weeks we will be sharing videos and trivia that speak to the African American musical experience and history. The content will be loosely chronological and you can follow the evolution of African American music with us.

Last words?

This display is an act of love. We welcome students, faculty, and staff to approach library workers with display development ideas and to continue making the library spaces your own. Also, while the music CDs typically “live” behind the circulation desk, they are still accessible to you. Come check it all out.