Who would guess that an artist born and bred on a Vermont farm would create some of the most iconic postcards of New York City? Rachael Robinson Elmer’s ground-breaking “Art-Lovers New York” postcard series is currently on exhibit at the Middlebury College Davis Family Library, on the upper level, through April 17th, 2015. The exhibition, on loan from Rokeby Museum and sponsored by Middlebury College Special Collections and Archives, presents all twelve cards, as well as biographical information, historical context, and the three postcards of London that originally inspired Rachael.
Rachael Robinson Elmer changed the aesthetic of American postcards. She pioneered the fine art city view card when her Impressionist paintings of popular scenes in her beloved New York City were produced as postcards by P. F. Volland in 1914. Her “Art Lover’s New York” cards were immediately copied by dozens of artists in New York and elsewhere.
Rachael Robinson Elmer was born at Rokeby to artist parents Rowland Evans and Anna Stevens Robinson in 1878. Her art education began before she had even started school and continued with a young people’s summer art program in New York City and later, at the Art Students League. She moved to New York as a young woman and commenced a successful career as a graphic artist. Rachael married businessman Robert Elmer in 1911 and died prematurely in February 1919 in the Spanish flu epidemic.
The Middlebury College Special Collections and Archives holds the extensive historical correspondence collection of the Robinson Family on long-term loan from Rokeby Museum. The books of Rachael’s father, Rowland E. Robinson, are part of the Abernethy Collection of American Literature and the Flander’s Ballad Collection. See our previous blog post, Reading Rowland Out Loud, for more on that.
In collaboration with Vergennes boat builder Douglas Brooks, Special Collections is offering a new short-term exhibit The Two Pointers of Dead Creek : A Tradition of Trapping and Boat Building in Addison County. Assistant Curator Danielle Rougeau is working with Douglas Brooks on mounting the exhibit on the Lower Level of the Davis Family Library. The exhibit officially opens on Wednesday, September 1, 2010, and will be on view through Friday, October 1.
During the 2009-2010 academic year, Brooks and three Middlebury College students, Renee Igo ’11, Christian Woodard ’11 and Ben Meader ‘10.5, interviewed trappers and their descendants in an effort to document the culture of muskrat trapping in Addison County, with an emphasis on the “two pointers”, the double-ended boats that trappers built.
After a training program with the Vermont Folklife Center, the researchers began recording interviews and examining historic boats. Over twenty historic trapping boats were identified in the region. Eventually several boats were carefully measured and one was chosen for replication. The students displayed an historic boat at the 2010 Middlebury College Student Research Symposium.
In the 2010 spring semester, Igo, Woodard, and Meader, guided by Brooks, built this trapping boat in studio space at Middlebury’s Old Stone Mill. The boat was launched on Commencement day, May 27, 2010.
The exhibit entitled “Dear James,” currently on view in the Davis Family Library Atrium exhibit cases, was curated by Emmie Donadio, Asst. Curator of the Middlebury College Art Museum, in collaboration with Special Collections, and mounted in the Library by Ms. Donadio and Special Collections Assistant Curator Danielle Rougeau.
The artist Ben Schonzeit wrote daily letters to his son, James Schonzeit, Middlebury Class of 2010, during James’s four years at Middlebury, and on each envelope he painted a portrait. Continue reading
The 2nd Annual LIS Arts & Crafts Exhibit (“Exhibited 2010″) will be held in the Atrium of the Davis Family Library June 9th-June 28th. The Opening Reception will be held at 4PM Wednesday, June 9th. All are welcome to see and hear the artistic and musical talents of LIS staff.
Exhibited 2010 Poster
Submitted by Brenda Ellis
Axinn Center Winter Garden continuing through August 31st.
The process of commodification required the frequent reworking of promotional materials devoted to extending a film and its stars pervasively into the public sphere. This exhibit offers more than one hundred representative materials employed by Hollywood studios in marketing not only her films but actress Frances Dee as a star. They include the most common items — posters, lobby cards, photographs, press books, heralds, fan magazines, etc. — to the more obscure — cigarette cards, matchbooks, photoplay editions of novels, film novelizations in magazine format, study guides, playing cards, makeup kits, Coca-Cola trays, dress patterns, and paper dolls. In selecting these materials, a conscious effort has been made to document that Hollywood marketing campaigns were aimed not solely to American filmgoers but to a vast international audience, from Europe to Asia to Latin and South America, who eagerly consumed Hollywood films and their stars.