How do these webisodes imagine and address their audience? How can we compare their transmedia logics to that of FlashForward? How does the imagined transmedia-savvy audience shape or influence the narrative form of the webisode? Does the transmedia audience imagined by The Resistance seem significantly different from the audience imagined/constructed by Chasing Dorota? And in turn, do these two series approach the possibilities of webisodes as transmedia narrative differently?